Dazzling, interlocking narratives on history, truth, and storytelling.
Demanding, baffling, and ultimately exhilarating examination of a forgotten moment in U.S.–Philippine history.
Cinematic in its approach, Apostol's (Gun Dealer's Daughter, 2012, etc.) fourth book alternates between aerial shots, jump-cuts, and close-ups, moving backward and forward in time to get at a story of U.S.–Philippine relations by way of history, literature, language, and scholarship. It even opens with a six-page Cast of Characters, some historical, many from pop culture, a few fictional. While at first the book seems gonzo in its approach, the result is a portrait (though incomplete) of Casiana Nacionales, the insurrecto for whom the book is named, a woman whom "history barely knows." Nacionales was the only woman who actively participated in a rebellion against U.S. servicemen in 1901 after a period of occupation marked by cruelty on one end and breathtaking abandonment on the other. To be clear: The book is not explicitly about Nacionales. Her appearance, like an image emerging on film, serves as a metaphor for how the truth of history is repressed until something or someone brings it into the light. To anchor the novel, Apostol uses two characters: Magsalin, a Filipino writer/translator, and Chiara, a U.S. filmmaker. Their contrasting approaches and accounts of the rebellion ultimately get to what Magsalin and Chiara believe they failed at, of telling "a story of war and loss so repressed and so untold." Magsalin and Chiara may have failed, but Apostol did not. The U.S. may have "manufactured how to see the world," but it's the writers, artists, and other visionaries who speak outside the frame who can reveal the truth. The cast of characters and the out-of-order system of numbering chapters are best revisited after finishing the book.
Dazzling, interlocking narratives on history, truth, and storytelling.Pub Date: Nov. 13, 2018
ISBN: 978-1-61695-944-9
Page Count: 336
Publisher: Soho
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.Pub Date: March 18, 2014
ISBN: 978-1-4767-5316-4
Page Count: 384
Publisher: Atria
Review Posted Online: May 6, 2014
Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.
Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.
Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.
Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.Pub Date: July 17, 2018
ISBN: 978-1-5011-7159-8
Page Count: 320
Publisher: Atria
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
© Copyright 2023 Kirkus Media LLC. All Rights Reserved.
Follow
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
