Who cares what genre this is; as portraits of tough mother-daughter relationships go, it’s as moving as they come.
A great novelist distills the truth of her mother’s life, and her own.
Jen’s 10th book, she writes in an author’s note, began as a memoir of her mother, who died in her mid-90s during Covid-19. But because Agnes Jen resisted sharing her stories and left few artifacts, some invention was necessary. All the same, Jen has “stayed as true as [she] could to the facts” of her mother’s life as well as their troubled relationship: Both were bad girls. A confirmation from beyond the grave: “I knew what this book was going to say even before you wrote it, my mother says now. I knew it was going to say I was a terrible mother, blah blah blah blah. The first part explains how I became so terrible. The second part says how terrible I was.” Well, we won’t argue. Her terribleness consisted in both physical abuse and in brutally intense favoritism, making the second-born author a distant fifth to her four siblings. The withholding, abusive Chinese mother who believes she is simply doing things the Chinese way is not an unfamiliar character in either memoir or fiction, but Jen has created a fully three-dimensional portrait of her. Known for humor, Jen worries her readers will be upset this book isn’t funny, but her eye and her style of description (a couple at her first publishing job “smoked as if it was in their marital vows to keep the tobacco industry alive”; her mother’s puffy eyes are “part goldfish, part James Baldwin,” though she is “too sad to quip”) as well as the back and forth between the postmortem conversations and the main storyline keeps the mood lively. “No, I cannot forget you. You are right. You’ve won,” she concedes to her mother at one point. But actually, and for the same reason, she wins too.
Who cares what genre this is; as portraits of tough mother-daughter relationships go, it’s as moving as they come.Pub Date: Oct. 21, 2025
ISBN: 9780593803738
Page Count: 352
Publisher: Knopf
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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