Living between cultures might mean never being at home—or finding home in the space between.
This stunning new linked short story collection offers a fresh take on the experience of immigration and exile.
Political and economic relations between China and the United States are major news, but Jen takes it to the micro level in her vibrant short stories about characters who are varying degrees of Chinese and American—and for whom the question of what it means to be Chinese and/or American touches every corner of their lives. In the title story, a Chinese woman who was a young girl when she met U.S. President Richard Nixon during his historic visit to “open” China expresses her gratitude to him for the changes in her country. She’s writing him from heaven; his address is the ninth circle of hell. In "It’s the Great Wall!" American-born Grace Chen de Castro goes with her immigrant mother, Opal, on a tour of China—Opal’s first return home in 40 years. Despite the clowning of Grace’s annoying non-Chinese husband, the daughter’s understanding of the mother will be transformed as Opal bridges both cultures. Several of the stories revolve around the Koo family. Tina and Johnson Koo live in a posh home in Hong Kong, with a view of the city from a “picture window, in the blue light, with the mountain and mist like a screensaver behind them.” There, Tina frets over her daughters, Betty, “the good one,” glamorous youngest Lulu, and especially the oldest, Bobby, who has not only moved to America with no apparent intention to return, but has cut off contact with her parents. Some of the stories about the Koos, like "Lulu in Exile," about how Lulu’s promising relationship with a rich, older Chinese American man is scuttled by the man’s shrewd mother, are hilarious. Others, like the final story in the collection, "Detective Dog," are heartbreaking. Recurring and related characters link all of the stories, which are set across several decades. Jen’s crisp prose, wonderful eye for detail, and wry humor make them a joy to read, and there is wisdom here, too—we’re all exiles from something.
Living between cultures might mean never being at home—or finding home in the space between.Pub Date: Jan. 25, 2022
ISBN: 978-0-593-31989-5
Page Count: 272
Publisher: Knopf
Review Posted Online: Oct. 26, 2021
Kirkus Reviews Issue: Nov. 15, 2021
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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