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THE FAR SHORE

A plausible and harrowing adventure that explores humanity’s drive for personal freedom.

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Damato’s (Breaking Seas, 2012), SF adventure finds a secret group of scientists attempting to flee a repressive society and colonize Mars.

In the year 2065, a regime called Global Harmony has erased the history books and brought peace to the world—under its rule. The Autoridad, the agency that governs the region of Alta California, watches everyone all the time by using “infinite microscopic devices.” For citizens who break the rules, there are reeducation centers or suicide pills. “Children belong to the community,” says Global Harmony, and even saying the words “mother” or “father” is unacceptable. Seventeen-year-old Cristina Flores hates this life, and she secretly treasures an illegal book about NASA’s Apollo missions—a gift from her father, Paco—and dreams of attending Peking University to become an aerospace engineer. She has the math skills and intelligence to do so, but her Trust Score (or social rating) is low. While celebrating the Chēngzhăng moon flights at school, she speaks up about the Apollo missions. For this transgression, she must report to “therapeutic counseling” at the Santa Monica police station. From there, she ends up at Central Services, a holding pen for dissidents. After acing several intelligence tests, she’s brought before Dr. Janet Ordin, who tells her that she’s a “pre-select,” without defining what that means. Next, her sanity is challenged in a cramped room called the Ninth Circle, where she meets Ryder Lawson and Eric Rahn, among other university graduates. Eventually, Cristina joins the Genesis project—a secret group of scientists who plan to escape Global Harmony’s grasp by traveling in rockets to create a new colony on Mars. Damato’s first novel is a hard-SF stunner that effectively examines social dilemmas in 2019. The Trust Score is similar to China’s real-life Social Credit System, which launched in 2014 with the aim of preventing low scorers from enjoying the full benefits of citizenship, such as using public transportation. Even more chilling is Global Harmony’s elimination of the past and veneration of government officials, such as the vapid Gov. Marco Javier Crespo. At one point, when Cristina reads a quote by French historian Alexis de Tocqueville, she assumes that he’s a fellow member of the Genesis project. Damato portrays technology wisely—as neither good nor bad by itself, but merely a tool; the Autoridad digitally alters people’s images in “promo” videos that show health and happiness where neither exist, but similarly high-tech 3D printers and nuclear reactors enable the Mars escape plan. In the novel’s second third, the author’s flair for depicting realistic space travel rivals anything in Andy Weir’s 2014 bestseller The Martian. The ship Enterprise, for example, is said to have “magnetoplasma rockets that generate intense electromagnetic fields to ionize argon propellant into plasma.” Cristina’s reverence for her father provides narrative dividends, as well; he taught her to always “Say what was required. But do your own math”—a nod to George Orwell’s Nineteen Eighty-Four notion that 2+2=5 in a dictatorship.

A plausible and harrowing adventure that explores humanity’s drive for personal freedom.

Pub Date: Oct. 16, 2019

ISBN: 978-0-9858162-2-3

Page Count: 370

Publisher: Ninth Circle Press

Review Posted Online: Nov. 7, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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