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DINNER WITH ANNA KARENINA

Dreary, plodding and slightly pretentious—women’s fiction of the most uninspired, uninspiring kind.

A portrait of female friendship bound together with books, from the author of Walking Home (2005).

During their first meeting of the year, a reading group composed of professional women in Manhattan discovers that one of their number is leaving her husband. As the story progresses, they come to terms with this dilemma and other personal troubles as they gather to talk about books and eat. For a group that prides itself on a passion for literature and intellectual rigor, this reading sorority tends to favor the superficial over real criticism. Discussions of, say, the writer’s craft or cultural context generally lose out to chatty conversations about plot and self-referential character analysis—these women use incidents in the life of Emma Bovary to share anecdotes from their own, and they talk about how much they are like or unlike Anna Karenina. Each character’s backstory unfolds in chunks of exposition inspired by Lolita and The Bell Jar, and the connections between the story being read and the stories being relived are always facile. The impoverished graduate student, for example, always talks about money. When someone mentions jewelry, each woman touches a bracelet or an earring and considers its significance in her life. Indeed, material culture is present here always, as if things are signifiers of the people who own them. When it is revealed that they are not, this is meant to shock: Who would have guessed that someone as well-dressed as Cynthia could be unhappy? The ensemble cast offers a host of vaguely drawn types—a wealthy department-store executive, an overworked psychologist, a guidance counselor with an autistic son and an abusive husband. Reading groups who want to read about reading groups will have something to pick up after they’ve finished The Jane Austen Book Club.

Dreary, plodding and slightly pretentious—women’s fiction of the most uninspired, uninspiring kind.

Pub Date: Jan. 1, 2006

ISBN: 0-7783-2227-0

Page Count: 368

Publisher: Harlequin MIRA

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2005

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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