Troy Kirkwood, loving son and devoted single father, disappears without a trace.
Nola, Troy’s mother, is baffled by—and Roy, his father, infuriated at—Detective Lopez’s suggestion that his son abandoned his child Meika, age five, at a Brooklyn Heights movie theater before he vanished. Troy would never do something like that, and Roy thinks he was somehow lured outside. The theater manager confirms this theory: Troy went out to check on his car alarm. But his car disappeared too, and there are no witnesses. Nola does her best to comfort little Meika and to keep Meika’s mother, Cordelia, a recovering crack addict, at bay. When Troy’s body is found, shot in the chest and head, the Kirkwood family nearly falls apart. Cordelia shows up in Family Court, demurely dressed in suit and pearls, and pleads her case to a judge who seems inclined to rule in her favor, even though it’s clear to everyone else that she’s lying. Nola doesn’t know what to do next—the thought of losing her beloved granddaughter to a no-account ex-junkie like Cordelia terrifies her. Vann, her other son, comes up from Atlanta to do some investigating on his own. Meanwhile, Roy blames Detective Lopez for the delays and misunderstandings, and Lopez grows increasingly testy when Roy points out that someone ran up thousands of dollars on Troy’s American Express card—after his death. Looks like a credit-card scam turned into murder. Back at the apartment, Nola just knows that Cordelia is going to be after Troy’s insurance money, not to mention Meika’s Social Security check. Finally, a witness comes forth with a description of a tall man in black leather. The trail will take a few twists and turns before the perps are identified at last.
Solidly written, earnest suspense that isn’t exactly suspenseful, though the family is well-drawn and convincing. Third-novelist Mallette also wrote Shades of Jade (2001).Pub Date: June 18, 2002
ISBN: 0-375-75744-9
Page Count: 400
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 15, 2002
Categories: GENERAL FICTION
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BOOK REVIEW
While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.
Pub Date: June 15, 1963
ISBN: 0451228146
Page Count: 181
Publisher: Praeger
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: June 15, 1963
Categories: GENERAL FICTION
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Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.
When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.
Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.Pub Date: April 23, 2013
ISBN: 978-0-312-57721-6
Page Count: 416
Publisher: St. Martin's
Review Posted Online: Feb. 18, 2013
Kirkus Reviews Issue: March 1, 2013
Categories: GENERAL FICTION
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