After her parents die in a wagon accident, Lucy, 11, goes to live with her missionary aunt and uncle, the Wilkinses, who run an Indian school in northern Michigan. Aunt Emma is a taskmaster, while gentle Uncle Edward makes Lucy feel welcome. When Lost Owl asks the Wilkinses to take in his two children for the winter (the only members of his family to have survived a smallpox epidemic), Aunt Emma refuses, but Uncle Edward insists. Raven, who is about Lucy's age, and her younger brother, Star Face (later called Matthew by Aunt Emma) come to stay, and from the first, Raven and Aunt Emma do not get along. Raven rebels against school rules, refuses to answer to the name Aunt Emma gives her (Eleanor), and generally acts like a hellion. When Aunt Emma forbids her to see Matthew, Raven runs away. Only when Matthew becomes desperately ill—a combination of pneumonia and chicken pox—does Raven return. Whelan's (Once On This Island, 1995, etc.) plot is contrived, and her characters who never come off the page; Aunt Emma's stern manner is tiresome. Still, the friendship between Raven and Lucy as they come to understand each other is a good lesson for readers that never seems didactic. (b&w illustrations, not seen) (Fiction. 7-10)
Pub Date: Oct. 30, 1996
ISBN: 0-06-027077-2
Page Count: 90
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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