A thorough discussion of a little-known agriculture research world that will appeal to experts.
In this memoir, a man chronicles a long career in international agriculture research and reflects on the system he was involved in for decades.
After spending a few years in the early 1970s teaching in the West Indies—MacNeil met his wife, Joan, in St. Lucia during this period—the author moved back to his native Canada and got a job in the agriculture division of the International Development Research Centre. There, MacNeil began a 45-year involvement with the Consultative Group on International Agricultural Research, a system first formally developed in 1971 that grew out of a need to study and cultivate tropical crops in the developing world that were largely neglected by the private sector. The author’s specific roles would change over the decades, but his link to CGIAR was a professional constant, including while he worked as a financial officer at the World Bank. In Washington, D.C., which housed the CGIAR Secretariat, MacNeil’s work took him all over the world—he lived in Senegal, Côte d’Ivoire, the Philippines, and France, and his broad experience allows him to paint a remarkably precise picture of the “institutional development puzzle,” a description as rigorous as it is complex. At the heart of his account is a portrayal of the “elaborate structure for governance, technical planning, and financial support” that formed the core of CGIAR, a discussion brimming with minute organizational details and a farrago of acronyms that will challenge the attentions of even the most patient readers. MacNeil makes a convincing case that the CGIAR enterprise is a uniquely impactful one and rightfully praises its “fifty years of distinguished service to humanity.” In addition, he succeeds in his aim to furnish a “non-ideological” assessment of the industry and is particularly even-handed in his appraisal of the triumphs and failings of the World Bank. But the memoir reads like a combination of a policy white paper and a narrated curriculum vitae—MacNeil submerges readers in infinitely granular minutiae, and the dizzying accounts of this or that organizational structure can be difficult to follow. This is an intelligent reflection, but it will likely only interest those engaged in international agriculture research.
A thorough discussion of a little-known agriculture research world that will appeal to experts.Pub Date: Sept. 21, 2022
ISBN: 9781039148161
Page Count: 287
Publisher: FriesenPress
Review Posted Online: Nov. 29, 2022
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
