Great read for those interested in events in the fashion industry and the personalities who shape it.
A lively glimpse of the fashion industry and the characters behind it from American Vogue creative director Coddington.
The author begins with her childhood in Wales, but the memoir really comes to life when she describes her modeling days in London. Her big break came early, when a contest landed her in Vogue. Coddington expresses nostalgia for the carefree world of fashion in the 1960s, before the supermodels and celebrities arrived. During that time, there were no makeup artists, and models arrived with a suitcase of their own hair products and accessories. Coddington’s descriptions and illustrations bring that world to life. Even though her modeling career was interrupted with a disfiguring car accident, she dove back in once she healed. Her stylist career started with British Vogue, and she later moved to Calvin Klein in America and then to American Vogue when Anna Wintour became the editor-in-chief. The author provides intriguing portraits of Karl Lagerfeld and other big names, but she focuses mostly on Wintour’s public persona. Coddington’s personal life plays second fiddle to her role in the fashion industry. She mentions her boyfriends and her two husbands, but she glides through her relationships with them. Coddington’s tone is incredibly blunt. For example, she lets her envy of Carlyne Cerf de Dudzeele, another stylist at American Vogue who was also in favor with Wintour, seep through the narrative.
Great read for those interested in events in the fashion industry and the personalities who shape it.Pub Date: Nov. 20, 2012
ISBN: 978-0-8129-9335-6
Page Count: 304
Publisher: Random House
Review Posted Online: Oct. 6, 2012
Kirkus Reviews Issue: Nov. 1, 2012
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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