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MY FATHER HAD A DAUGHTER

JUDITH SHAKESPEARE’S TALE

Engaging enough to whet the appetite of those readers unfamiliar with Shakespeare’s family life and times, but there’s no...

Shakespeare is hot, a fact shown not long ago by the success of Shakespeare In Love. Now Tiffany debuts with a strange little fantasy spotlighting the Bard’s daughter Judith.

Shakespeare had three children by Anne Hathaway: first Susanna, then the twins Judith and Hamnet, Hamnet dying, from unknown causes, while a child. Author Tiffany, English professor and Shakespearean specialist, has invented a drowning for him to launch her tale. The boy is Judith’s ideal playmate in their wildly imaginative games, while in the background is their volatile mother, chafing at William’s long absences in London, which so distress Hamnet that Judith casts a spell to bring her father home. The spell calls for dunking themselves in the Avon, which causes Hamnet’s accidental drowning. Judith is overwhelmed by guilt, then by rage at her father after finding a discarded scroll of Twelfth Night. She concludes he’s exploiting Hamnet’s death: and this calls for his exposure, and for her public atonement. So, at 14, Judith steals away to London. Still flat-chested, she changes into boy’s clothes, finds a job at a tavern, and lands a bit part with her father’s company. All this happens with a dreamlike ease, a fast pace and a jaunty tone helping mask the many improbabilities. When the older boy actor Nathan Field threatens to expose her as a girl, she buys his silence by sacrificing her virginity, all in a day’s work for this bold lass. She then tricks Nathan out of the part of Viola and has her moment of glory at the Globe before her father recognizes her and returns her to Stratford. The great adventure of Judith’s life now over, the story runs out of steam: Its final third covers her quiet life back home and marriage, years later, to a local vintner.

Engaging enough to whet the appetite of those readers unfamiliar with Shakespeare’s family life and times, but there’s no meat here for the more sophisticated.

Pub Date: May 6, 2003

ISBN: 0-425-19003-X

Page Count: 304

Publisher: Berkley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2003

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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