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RISING

FROM A MUD HUT TO THE BOARDROOM—AND BACK AGAIN

A solid remembrance that offers the engaging perspective of a diversity and inclusion expert.

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Consultant, speaker, and author Harkema offers a memoir of coming to grips with her personal and professional identity.

The author resigned from her position as diversity and inclusion director at an unnamed global craft brewery in 2019, after a lawsuit revealed her employer’s problematic behavior involving issues of race and sexual orientation. After company leadership ignored her advice, she made her resignation letter public: “I have dedicated myself to a life and career of equity, ethics, integrity, and morals,” she wrote. “I cannot represent a company that doesn’t stand for the same.” This book tells the rest of her story, beginning with her birth in the Congo and her adoption by an American family. Harkema describes a generally happy childhood, complicated by the challenge of growing up Black in a mostly White Michigan city. She also writes about knowing from a young age that she was a lesbian and the difficulties she faced knowing that her deeply religious family was unlikely to approve. The book follows Harkema through high school, where she played on the boys’ varsity football team, and college, where she supported herself working multiple jobs. The author chronicles her career path, including her later decision to go into business for herself. The book also tracks personal-life developments, including returning to the Congo to meet her birth mother. Harkema is a confident author who shows a solid sense of self in these pages, and her story comes across as clear and engaging. The book addresses some dark topics, including childhood sexual abuse and a suicide attempt, and the author addresses her traumas with thoughtfulness and sensitivity, showing how they’ve shaped but haven’t defined her life. Her discussions of transracial adoption, mental health, and workplace inclusivity are informative but not didactic, and she includes resources for further reading on the topic. The writing is well-organized throughout, with a conversational tone that makes the pages turn quickly.

A solid remembrance that offers the engaging perspective of a diversity and inclusion expert.

Pub Date: April 18, 2023

ISBN: 9781774582510

Page Count: 256

Publisher: Page Two

Review Posted Online: Jan. 10, 2023

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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  • New York Times Bestseller

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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