Next book

THE REVOLUTION THAT WASN'T

MY CANDID OBSERVATIONS ABOUT THE SHARED CUBA AND UNITED STATES HISTORIES

An engaging overview of the history and legacy of the Cuban revolution by a writer who saw its effects firsthand.

A writer who fled Fidel Castro’s dictatorship with her family melds memoir and political history in a debut that recalls her life in exile in South Florida and reassesses the Cuban revolution.

On Jan. 1, 1959, Catasus writes, her mother received a 2 a.m. phone call that “put an abrupt end to my adolescence.” On the line was her father, a senior officer in the Cuban Air Force, who told his family to leave home immediately, as the government of dictator Fulgencio Batista had just fallen to Fidel Castro’s guerilla insurgents. Her family would soon make “the penultimate sacrifice” of spending their lives as exiles in South Florida, where they joined hundreds of thousands of Cuba’s affluent professionals, politicians, and military officers who had supported Batista’s government. While her first book is largely an overview of the legacy of the Cuban revolution, Catasus excels at blending analyses of national events with intimate stories of her early years in Havana. Even as a child, she says, she “could see signs” of Batista’s demise: By 1958, many in her middle-class circle of family and friends “openly supported” Castro, and the pro-Castro nuns at her Catholic school held a Mass in support of the revolutionary. As she weaves her personal experiences into a larger historical narrative, Catasus gives frank but well-informed critiques of the policies of both Cuba and the United States. Like many Cuban exiles in America, Catasus is no fan of Castro’s government, arguing that his movement should not even be labeled a revolution, “at least not in any positive way,” because it represented “a total set-back” for the island nation.

While plenty of Cuban authors, particularly conservatives, have written anti-Castro tomes, this one stands out for the author’s emphasis on the “highly hypocritical” nature of Castro’s movement as it relates to Black and gay Cubanos “persecuted” throughout his half-century in power. Its analysis is similarly critical of Cubans in the U.S. who “have retreated into their ‘whiteness’ ” and slighted the contributions of Black and queer Cubans to the development of the island’s “unique national character and personality.” Catasus’ nuanced analysis includes equally biting commentary on the history of Spanish and American interference in the nation’s early history, with particular scorn directed to “the inept Eisenhower Administration.” Having retired from a career in local government in Florida, the author also has much to say about contemporary American politics and its parallels to Cuba’s revolutionary era. Catasus argues that, like Castro supporters who saw the populist totalitarian as the solution to government corruption and ineptitude, many supporters of Donald Trump ignored blatant warning signs, “allowing their emotions [to] dictate what their heads should be deciding.” Upfront about her own ideological biases, she is generally fair in her historical narrative of the events leading up to the Cuban revolution and backs up her views with ample in-text citations and an annotated bibliography of scholarly sources she drew on in her research. Her analysis has occasional blind spots. Its critique of “sycophant Catholic officials” who supported Castro, for instance, belies a more complex story of the church’s hierarchy, which included ardent supporters of Batista. Overall, however, the book gives a unique view of a turbulent era, particularly in its attention to the Black and gay Cubanos whose contributions other accounts can overlook.

An engaging overview of the history and legacy of the Cuban revolution by a writer who saw its effects firsthand.

Pub Date: Nov. 2, 2021

ISBN: 978-1-64952-920-6

Page Count: 468

Publisher: Fulton Books

Review Posted Online: July 19, 2022

Awards & Accolades

Likes

  • Readers Vote
  • 344


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Awards & Accolades

Likes

  • Readers Vote
  • 344


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

Awards & Accolades

Likes

  • Readers Vote
  • 104


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Awards & Accolades

Likes

  • Readers Vote
  • 104


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

Close Quickview