by Graeme Thomson ‧ RELEASE DATE: Jan. 2, 2015
Indifferent writing and tut-tutting and shallow criticism conspire to make this of interest mostly to completist collectors.
New biography of the youngest, gloomiest Beatle.
It may come as news to some fans of the spiritually minded Harrison that, by Thomson’s (Under the Ivy: The Life and Music of Kate Bush, 2010, etc.) account, he was as sexually promiscuous as many of his fellow musicians: “He seduced one young woman days before the Concert for Bangladesh, and even made overtures to another in the wings during the concert itself.” It may come as news to others that Harrison, once pioneering in his blend of Eastern and Western musical traditions, was a sonic fuddy-duddy in his later years: “Rap stinks,” he pronounced, “and techno is humanless music coming out of computers that bring you to madness.” That seems stern for someone who introduced Moogs to Beatlemaniacs and had no qualms about setting Hare Krishna chants against pop backgrounds, but though Harrison never advertised himself as a saint, Thomson seems always surprised that Harrison was, from the earliest age, a smoker, drinker and drugger—in other words, a rock musician. The author covers his subject from cradle to grave, a span of time that has been thoroughly covered by other writers, on some of whom he relies too heavily. The result is a plethora of old news, including the well-worn observation that it was George who taught John Lennon how to tune a guitar. The writing is seldom distinguished, too often pockmarked by forced observations that the refrain of Bob Dylan’s “Like a Rolling Stone” “seemed to capture something of Harrison’s growing ambivalence as The Beatles dragged themselves around the United States for the second summer in a row” and that “like an alcoholic with the bottle, no Beatle was ever freed from the grip of the Fab Four.”
Indifferent writing and tut-tutting and shallow criticism conspire to make this of interest mostly to completist collectors.Pub Date: Jan. 2, 2015
ISBN: 978-1-4683-1065-8
Page Count: 464
Publisher: Overlook
Review Posted Online: Nov. 5, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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