by Graham Masterton ‧ RELEASE DATE: Nov. 1, 2000
Hardly any chills, but lots of explicit sex. Your move.
Few are the goose bumps in this new collection by the veteran British horrormeister.
You’ve got your restless undead, your voracious vampires, your screams, your groans, your inexplicables and imponderables, and all the rest of the spooky standbys spread throughout this macabre dozen. Masterton (Snowman, p. 21, etc.) is certainly familiar with the genre’s hot buttons, but he just might have pushed them so often that he’s become as dependent on them as a short-order cook on her microwave oven. What’s lacking is artistry—the creative spark that can coax even creaky old zombies to life once more. The young victim of “Out of Her Depth,” for instance, drowns in a puddle that grows wider and deeper with her every step. But since we never learn anything about her, it’s hard to shiver at her fate. In “Lolicia,” a man savages a woman sexually, ends by killing her, and suffers a dispiritingly contrived retribution. Sexual savagery is again pivotal in “Heroine,” and again the end is both predictable and unconvincing. The Jack in “Jack Be Quick” is Jack Kennedy, and in this tasteless addendum to conspiracy theory literature, the born-again president (resurrected, literally, through a combination of mysterious drug, neo-voodooism, and infernal compact) is such a clear and present danger to his country that his nearest and dearest take him out in the interests of patriotism. And so on down a lackluster list, except for “The Ballyhoolly Boy,” a near-miss about a ghostly nerd’s revenge on the bullies who once made his school days miserable. Characters who had room for a few more nuances might have made this one memorably scary.
Hardly any chills, but lots of explicit sex. Your move.Pub Date: Nov. 1, 2000
ISBN: 0-7278-5594-8
Page Count: 224
Publisher: Severn House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2000
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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