At times laugh-out-loud funny, occasionally just weird for the sake of weird, but consistently entertaining.
A drug trial participant blogs about his experiences on an experimental medication and questions whether the strangeness in his life is a side-effect or just weirdness as usual.
As a test subject in an experimental drug trial, Gomez Porter is asked to a keep a blog to chronicle any strange experiences, an exercise that quickly alerts him to just how many odd things seem to be happening around him. He soon finds himself wrapped up in a possible murder mystery, stalking a stalker for a woman he thinks he loves (though it might just be the drugs), while his life and the characters in it get ever more absurd—and increasingly dangerous. Parke’s debut novel melds screwball comedy, hipster-style irony and an old-fashioned unreliable narrator into a quirky whodunit that challenges our perceptions about how we think and interact with the world around us. The blog-style entries are unique, providing a firsthand view of events from Gomez’s perspective, a perspective that even the character himself actively joins the reader in doubting. When Gomez goes so far as to admit he edits his posts, we’re left to wonder what got cut, what he isn’t telling us and why, if he is cutting things, he still records his more embarrassing, frightening or unflattering moments. These layers of ambiguity, combined with the novel’s wit and some of its more subtle humor (often overshadowed by its bigger laughs), give the book the distinction of being a work most will want to revisit. The most notable shortcoming is the ending; it isn’t hugely satisfying, and the tone doesn’t fit with the rest of the book. But this is largely forgivable as the real charm of the novel is in the humor of its journey rather than its surprisingly solemn destination.
At times laugh-out-loud funny, occasionally just weird for the sake of weird, but consistently entertaining.Pub Date: Jan. 12, 2011
ISBN: 978-1432752484
Page Count: 189
Publisher: Outskirts
Review Posted Online: July 29, 2011
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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