by Graham Salisbury ‧ RELEASE DATE: Aug. 9, 2005
Salisbury chronicles the true story of Hawaiian soldiers of Japanese descent following the attack on Pearl Harbor. Eddy Okubo has an evolving understanding that Japanese Americans are no longer trusted, even if they are serving in the U.S. armed forces. “To them we all look like Hirohito. . . . We got the eyes of the Emperor,” they realize. Eddy and 25 others are sent to Cat Island, Miss., where their humiliation is absolute. They are part of an experiment (based on a racist, erroneous theory that Japanese smell different from Caucasians) to see if army dogs can be trained to scent Japanese soldiers. Through a process of merciless brutalization, the dogs will be trained to hate, hunt and attack “the bait.” Eddy can only face this cruel duty by reconciling it with his vow to wipe out the shame his father felt after Pearl Harbor, and to prove his loyalty and his worthiness to serve. Salisbury’s tone, both unsentimental and unsensational, renders his telling all the more powerfully affecting. Morally and psychologically complex, historically accurate and unforgettably gripping. (author’s note, glossary) (Historical fiction. 12+)
Pub Date: Aug. 9, 2005
ISBN: 0-385-72971-5
Page Count: 240
Publisher: Wendy Lamb/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
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by Graham Salisbury & illustrated by Jacqueline Rogers
by John Boyne ‧ RELEASE DATE: Sept. 12, 2006
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.
After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.
The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)Pub Date: Sept. 12, 2006
ISBN: 0-385-75106-0
Page Count: 224
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
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by John Boyne
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by John Boyne
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by John Boyne
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SEEN & HEARD
SEEN & HEARD
by William Shakespeare ; adapted by Malini Roy ; illustrated by Naresh Kumar ‧ RELEASE DATE: Aug. 27, 2019
A solid introduction for budding lovers of the Bard.
Something is rotten in the state of Denmark.
The timeless tale of the young and disaffected Danish prince who is pushed to avenge his father’s untimely murder at the hands of his brother unfolds with straightforward briskness. Shakespeare’s text has been liberally but judiciously cut, staying true to the thematic meaning while dispensing with longer speeches (with the notable exception of the renowned “to be or not to be” soliloquy) and intermediary dialogues. Some of the more obscure language has been modernized, with a glossary of terms provided at the end; despite these efforts, readers wholly unfamiliar with the story might struggle with independent interpretation. Where this adaptation mainly excels is in its art, especially as the play builds to its tensely wrought final act. Illustrator Kumar (World War Two, 2015, etc.) pairs richly detailed interiors and exteriors with painstakingly rendered characters, each easily distinguished from their fellows through costume, hairstyle, and bearing. Human figures are generally depicted in bust or three-quarter shots, making the larger panels of full figures all the more striking. Heavily scored lines of ink form shadows, lending the otherwise bright pages a gritty air. All characters are white.
A solid introduction for budding lovers of the Bard. (biography of Shakespeare, dramatis personae, glossary) (Graphic novel. 12-18)Pub Date: Aug. 27, 2019
ISBN: 978-93-81182-51-2
Page Count: 90
Publisher: Campfire
Review Posted Online: July 12, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Jason Quinn ; illustrated by Lalit Kumar Sharma
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by William Shakespeare ; adapted by Crystal S. Chan & Michael Barltrop ; illustrated by Julien Choy
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