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Haylow

A funny, thoughtful campus tale.

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A Georgia college professor attempts to escape the ghosts of history in Stewart’s debut novel.

Atlanta, 1996: the Olympics have just left town, and historian Travis Hemperly has returned there to take up a temporary teaching position at a historically black college. The white Hemperly’s previous teaching experience includes three years at the University of Minnesota followed by a year of performing Viking re-enactments at a tourist destination in Newfoundland, Canada—neither of which has sufficiently prepared him for a career in what Abraham Baldwin Longman, one of his new colleagues, jokingly refers to as “Blackademia”: “Travis is out of his element. He has never taught on a historically black campus, has never been a minority on any piece of real estate he has ever set foot on.” It’s a difficult transition, though one that Travis is willing to make if only because there aren’t many other options for him in the shrinking academic market. Despite cultural differences and disparate sensitivities, things begin to improve—until another colleague discovers that Travis’ conspiracy-obsessed father, Henry Hemperly, hosts the racist AM-radio call-in show “Confederate Talk Radio.” What’s more, a discussion of lynching reminds Travis of a story that his father told him when he was boy about an event Henry witnessed in the tiny village of Haylow, where a man was tied to a tree and murdered with an ax. In order to remain in his new position, Travis will have to come to terms with some history outside his area of specialization—that of his family and that of the South. Stewart tells Travis’ story in lucid, observant prose (“There is a lot to look at up in the sky tonight, a lot of action going on in the cosmos….All of this astronomical activity must mean something, so it seems like the right night for an appeal to the universe”), and he gives his novel a buoyant satirical gloss without teetering too far into ridiculousness. His characters are well-drawn and generally quite complex—even the largely unsympathetic ones—and the dialogue in particular crackles with personality. The book does drag in some sections and might have been improved with a bit of condensing. Even so, it represents an amusing and sometimes quite scathing look at academia, racial tensions, and the oppressive weight of the past that still characterizes life in the South.

A funny, thoughtful campus tale.

Pub Date: Aug. 31, 2016

ISBN: 978-1-60489-173-7

Page Count: 282

Publisher: Livingston Press

Review Posted Online: Aug. 19, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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