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INVISIBLE WRITER

A BIOGRAPHY OF JOYCE CAROL OATES

An authorized portrait of the intensely prolific novelist as an artist and a person. As Oates's literary executor, fiction writer Johnson (Pagan Babies, 1993; I Am Dangerous, 1996; etc.) wisely uses his access to her presumably massive hoard of papers to develop relatively select themes important in her life. He traces her understanding of violence, for example, to incidents from her family's past; to Oates's schoolyard brushes with brutality in her rural New York hometown; to her mid-1960s stint in riot-charged Detroit; and also to several eerie, Rothian, and ominous encounters with fans and students. Her compassion for victims also originated, Johnson says, in her childhood, as did her devotion to ``memorializing'' her parents. But the strongest force animating Oates is doubtless her will to produce, displayed for decades in her famous literary profusion, resulting from a routine protected by a ``bourgeois'' lifestyle and stable marriage to the scholar and critic Raymond Smith. Intertwined with the biographical narrative, Johnson provides a blandly respectful overview of of the writers artistic growth, charted partly through the record offered in her journal entries. Throughout, Johnson heeds Oates's belief that biographies should be ``solidly grounded in fact''; the result is a full characterization of a multilayered, idiosyncratic woman. In fact, the book is so stocked with documentation that it sometimes goes over the top. For non-diehard Oatesians, this excess will be too much, reflecting the main drawback of nearly all biographies written by allies of the portrayed subject: a loyalty that tends to overstep its bounds. A more basic narrative problem is the relatively quiet life Oates has led, tame at least by the standards of literary lions. This life of talent dutifully plied, sustained, and rewarded offers less drama and excitement than any of the tales Oates has concocted in her fiction.

Pub Date: April 2, 1998

ISBN: 0-525-94163-0

Page Count: 560

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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