A vivid account of an angry and troubled man who became a dedicated anti-war crusader.
A Vietnam War veteran and activist tells his story in this memoir.
In his nonfiction debut, Payton recounts his experiences as a young Black man drafted to serve in the Vietnam War, discussing the ways in which his experiences quickly took bad turns. He was court-martialed for assault and put in the Long Binh military stockade in Vietnam. While he was there, the other prisoners (mostly Black men) rioted and burned the prison; per the author, Black prisoners attacked white inmates and staff, holding some as hostages, while Payton looked on: “They had told me the only reason they wanted to set fires was as a diversion so they could escape.” After Payton was discharged and sent back to the States, he got a job in the dairy department of a supermarket but was quickly fired for assaulting his manager. By the 1980s, he was addicted to crack cocaine. The author entered VA drug rehab programs, where he began to come to terms both with his drug use and his lingering trauma from the war. He was mentored by Clarence Fitch and other members of the Vietnam Veterans Against the War. “It hit me that I had to help spread the message that these men were spreading,” he recalls; “War is not the answer.” Payton is a dramatic, involving writer, and his colorful prose is enhanced throughout by Arthur’s grayscale illustrations. He has a sharp sense of the pivotal moments in his own life story; he bracingly recalls that when a Vietnamese student saw him looking at a Martin Luther King, Jr., book, he asked, “What makes you come over here and fight in Vietnam, when back in America in the South you can’t even eat at the lunch counter?”
A vivid account of an angry and troubled man who became a dedicated anti-war crusader.Pub Date: June 14, 2025
ISBN: 9780998686875
Page Count: 199
Publisher: Sugarwhistle™ LLC
Review Posted Online: Nov. 11, 2025
Review Program: Kirkus Indie
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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