For those suffering from bereavement, a candid, moving book of commiseration and encouragement.
An aching memoir of life as a widower.
She was a striking vision of beauty and intelligence, writes former Texas Monthly editor Curtis about his first glimpse of Tracy, who would become his wife, at the magazine’s office in 1974. “I still know precisely what I was thinking at that moment—nothing. I couldn’t think,” he recalls. Eventually, he came up with the words to woo her—but that comes later, for the author’s next memory is of Tracy as she passed away nearly 40 years later, felled by cancer caused by her history as “a defiant smoker.” The first injury after his tragic loss came in the form of an officious minister who contradicted Curtis’ eulogy by citing Tracy’s fear. “She didn’t want to die,” he writes, “but that’s not the same thing as being afraid.” Clearly, she loved life, especially time spent in her beloved Paris. A second injury involved the ministrations of “well-meaning acquaintances” struggling to say something useful: “They want to show their concern, so they trap you and ask a series of questions—always the same ones—which you have had to answer time and again with other casual acquaintances in similar situations.” Curtis returned to Paris to visit the places the couple loved, but he also branched out to make discoveries of his own and, bravely, enrolled in language classes with students a third his age. His genially learned evocations of Paris are somewhat more lightly worn than those of Adam Gopnik’s Paris to the Moon, but they’re just as informative. Though readers will feel Curtis’ pain, they will also share his joy—and perhaps relief—at being in a place both beautiful and anonymous. “Paris was not at all hostile, but Paris didn’t care whether I was there or not,” he writes, finding comfort as a stranger in places both familiar and unknown.
For those suffering from bereavement, a candid, moving book of commiseration and encouragement.Pub Date: April 20, 2021
ISBN: 978-0-525-65762-0
Page Count: 256
Publisher: Knopf
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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