For those suffering from bereavement, a candid, moving book of commiseration and encouragement.

PARIS WITHOUT HER

A MEMOIR

An aching memoir of life as a widower.

She was a striking vision of beauty and intelligence, writes former Texas Monthly editor Curtis about his first glimpse of Tracy, who would become his wife, at the magazine’s office in 1974. “I still know precisely what I was thinking at that moment—nothing. I couldn’t think,” he recalls. Eventually, he came up with the words to woo her—but that comes later, for the author’s next memory is of Tracy as she passed away nearly 40 years later, felled by cancer caused by her history as “a defiant smoker.” The first injury after his tragic loss came in the form of an officious minister who contradicted Curtis’ eulogy by citing Tracy’s fear. “She didn’t want to die,” he writes, “but that’s not the same thing as being afraid.” Clearly, she loved life, especially time spent in her beloved Paris. A second injury involved the ministrations of “well-meaning acquaintances” struggling to say something useful: “They want to show their concern, so they trap you and ask a series of questions—always the same ones—which you have had to answer time and again with other casual acquaintances in similar situations.” Curtis returned to Paris to visit the places the couple loved, but he also branched out to make discoveries of his own and, bravely, enrolled in language classes with students a third his age. His genially learned evocations of Paris are somewhat more lightly worn than those of Adam Gopnik’s Paris to the Moon, but they’re just as informative. Though readers will feel Curtis’ pain, they will also share his joy—and perhaps relief—at being in a place both beautiful and anonymous. “Paris was not at all hostile, but Paris didn’t care whether I was there or not,” he writes, finding comfort as a stranger in places both familiar and unknown.

For those suffering from bereavement, a candid, moving book of commiseration and encouragement.

Pub Date: April 20, 2021

ISBN: 978-0-525-65762-0

Page Count: 256

Publisher: Knopf

Review Posted Online: Jan. 27, 2021

Kirkus Reviews Issue: Feb. 15, 2021

Did you like this book?

No Comments Yet

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

Did you like this book?

A conversational, pleasurable look into McConaughey’s life and thought.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

Did you like this book?

more