by Gregory S. Close ‧ RELEASE DATE: May 7, 2013
Despite strong prose, this fantasy tale is ultimately undone by its overly familiar plot and distractingly peculiar names.
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In Close’s debut novel, the first in a new epic fantasy series, a young apprentice to the king’s bard suddenly finds himself going to the royal court with his master due to a number of strange occurrences.
After Calvraign’s father died saving the king’s life, King Guillaume gave his rescuer’s son the honor of being trained by his bard, Brohan. For years, Brohan taught him stories of chivalry and prophecy and trained him in battle strategy and politics, preparing him for adulthood at court. Soon after dark forces begin to rise in the kingdom, Brohan brings Calvraign—at his mother’s behest—to the king, and they’re followed by Callagh, a feisty young huntress whose fierce skills are matched only by her love for Calvraign. Over the course of the novel, Close weaves an epic tale involving a huge cast of characters, including other knights, villains and supernatural creatures, cutting among various points of view in a manner reminiscent of George R.R. Martin’s A Song of Ice and Fire series. Eventually, revelations also transpire that reveal just why this boy’s well-being has been so important to Guillaume. Close’s greatest strength is his prose, which brings this world to life with a literary sensibility that stands out in a sea of standard, boilerplate fantasy novels. If only the plot were as impressive as the words that detail it. Despite the often beautiful writing, the story struggles to distinguish itself from other tales in the genre. Furthermore, Close has decided to populate his novel with names for characters, mystical creatures and places that are needlessly complex—Dwynleigsh, Feylobhar, Lyaeyni Meimniyl, Ryaleyr, Raogmyztsanogg, T’nkh’t’chk, Qal Jir’aatu, etc. As the list of unpronounceable names grows, it often prevents readers from emotionally engaging with the story.
Despite strong prose, this fantasy tale is ultimately undone by its overly familiar plot and distractingly peculiar names.Pub Date: May 7, 2013
ISBN: 978-0988852013
Page Count: 618
Publisher: Gregory S. Close
Review Posted Online: June 11, 2013
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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