by Guillermo Cabrera Infante ; translated by Mark Fried ‧ RELEASE DATE: Aug. 29, 2017
An exile’s plainspoken testimonial, bookending Orwell’s Homage to Catalonia in the literature of political disappointment.
A geography of disillusionment as limned by the noted Cuban writer (Guilty of Dancing the Chachachá, 2001, etc.), once a stalwart of the Fidelista revolution.
The men and women who trudged out of the mountains and into Havana 60-odd years ago were a tough, committed lot. Their civilian successors were just as tough; even when behind the compound walls, writes Cabrera Infante, Cuba’s ambassador to Belgium carried a heavy pistol, while his first secretary “had already killed an exiled Cuban in Santo Domingo.” Stationed in Brussels as a cultural attaché in the mid-1960s, Cabrera Infante traveled to Barcelona to collect a literary award, his movements chronicled at the order of a one-time aristocrat who, now a Fidelista, “did no work at the embassy, who never worked at all, since he had no skills or knowledge of anything.” It was a silly inquiry, since, Cabrera Infante writes, the lives of every junior officer in the embassy were transparent, and all were true believers in the cause of Cuban communism. As time wore on, Cabrera Infante’s commitment to that cause withered, for one thing because a certain moralizing conservatism crept in, such that homosexuals were persecuted and an editor friend of his was removed from his post for having invited Allen Ginsberg to Cuba, who then “scandalized the leaders of the Revolution by crowing in public that he wanted to go to bed with Che Guevara!” When he returned to Cuba and found that children could no longer have cake at their birthday parties and that domestic scotch tasted “like disinfectant,” the bloom was most definitely off the red rose. Cabrera Infante’s tone is quiet and melancholic, especially when, comparing notes with other writers such as Alejo Carpentier, he reaches a profound conclusion: “Just because the Revolution took writers in (and over) did not mean that literature wasn’t a dangerous frivolity.”
An exile’s plainspoken testimonial, bookending Orwell’s Homage to Catalonia in the literature of political disappointment.Pub Date: Aug. 29, 2017
ISBN: 978-0-914671-79-4
Page Count: 384
Publisher: Archipelago
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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