An inventive and macabre new spin on malevolent body snatchers.
A rookie FBI agent stumbles into a supernatural mystery when a series of murders erupts in New York, starting with her partner.
Hogan and del Toro have an exceptional track record with supernatural thrillers—see The Strain Trilogy (2009-2011)—so this new series starring a novice FBI agent and a classic occult detective is a welcome gift to disciples of Lovecraft-ian fiction. Odessa Hardwicke is cast in the mold of Clarice Starling, a tough but self-doubting FBI agent still finding her way. She and her jaded partner, Walt Leppo, are first on the scene when a disgraced politician slays his wife and children. In the midst of this gruesome scene, Leppo unexpectedly and abruptly stabs the surviving child, forcing Odessa to shoot him dead, glimpsing a weird specter departing as he breathes his last. The narrative then jumps from the modern day to the Mississippi Delta circa 1962, where African American FBI agent Earl Solomon is on the trail of someone lynching white victims. Intertwined between these storylines is the origin story of our other primary character, John Blackwood, a seemingly immortal investigator modeled after Algernon Blackwood’s John Silence. These disparate threads converge as Odessa, unjustly exiled from the FBI, connects with a dying Solomon, who gives her insight into his odd fellowship with Blackwood. After Odessa delivers an appeal to a cryptic mailbox in Manhattan, Blackwood suddenly materializes, a gaunt, erudite, and awkward consort cursed to chase down a specific breed of evil in this world. The body count rises with a massacre on Long Island while Blackwood teaches Odessa about a twisted cult dating back to Mesopotamian times that affords a select few souls, the titular Hollow Ones, the ability to jump between bodies and find ecstasy in their host’s violent death. Readers of occult fiction from Poe to Richard Kadrey will instantly recognize the creepy vibes and likely enjoy the ride.
An inventive and macabre new spin on malevolent body snatchers.Pub Date: June 23, 2020
ISBN: 978-1-5387-6174-8
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: March 29, 2020
Kirkus Reviews Issue: April 15, 2020
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
BOOK REVIEW
A flawed but visceral take on shared trauma and the fragility of friendship when we aren’t just kids anymore.
Four kids who swore an oath of friendship reunite as adults to face their fears.
The foundation of this novel is a consciously employed trope about messed-up kids, from the Losers Club in Stephen King’s It (1986) to more recent groupings of youth gone wrong in everything from Edgar Cantero’s Meddling Kids (2017) to Gerard Way’s The Umbrella Academy comic-book series. Here, it’s five kids from Bucks County, Pennsylvania, circa 1998: charismatic Matty, cynical Nick, carefree Hamish, cool-ahead-of-her-time Lore-née-Lauren, and nervous nail-biter Owen. Each burdened with terrible families, they create a pact, the Covenant: “It’s how they’re there for each other. How they’ll do anything for each other. Get revenge. Take a beating. Do what needs doing.” But when they discover the titular staircase during a camping trip and their impulsive leader Matty disappears while climbing it, the band breaks up. Decades later, Lore is a successful game designer, having abandoned Owen to his anxieties, while Hamish has become a family man and Nick is dying of pancreatic cancer. When he invokes their pact, the surviving members reassemble at a similar anomaly in the woods to make sense of it all. Climbing another staircase into a liminal space marked with signs saying “This place hates you,” among other things, our not-so-merry band suddenly finds themselves trapped in a haunted house. There’s plenty of catnip for horror fans as these former kids work their way through shifting set pieces—rooms where children were tortured, murdered, and worse, including some tailored specifically to them—but the adversary ultimately leaves something to be desired. The book isn’t as overtly gothic as Black River Orchard (2023) or as propulsive as his techno-thrillers, but Wendig has interesting things to say about friendship and childhood trauma and its reverberations. Lore gets it, near the end: “We’re all really fucked up and just trying to get through life, and it’s better when we do it together instead of alone.”
A flawed but visceral take on shared trauma and the fragility of friendship when we aren’t just kids anymore.Pub Date: April 29, 2025
ISBN: 9780593156568
Page Count: 400
Publisher: Del Rey
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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