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THE ONLY CHILD

Rare is the book containing great emotional depth that truly resonates across a span of ages: this is one such.

Left alone when her mother leaves for work, a child amuses herself with television, dolls, and a toy deer before boarding a bus for her grandmother’s house.

The ensuing experience, in which she falls asleep, misses her stop, and runs scared into the woods, is pulled directly from the author’s childhood in China. In this wordless, 112-page graphic novel, her constantly-in-motion protagonist is rescued by a mysterious stag that leads her up a ladder of clouds into a puffy paradise. The animal is a perfect playmate. Humorous close-ups reveal a hands-on exploration of the animal’s muzzle, toothy smiles, and affectionate nuzzling before the afternoon’s excitement. Guojing’s telling is skillfully paced. Early on, a sequence of 12 nearly square panels on a page conveys the child’s sense of confinement, loneliness, and boredom. Varying in size and shape, digitally manipulated graphite compositions create a soft, quiet atmosphere within which a gamut of effects are achieved: brilliant, snowy light, the etched faces of shivering street vendors, nuanced cloudscapes, and the pure black of a whale’s interior after the duo and a new friend are swallowed, Jonah-style. Majestic settings, tender interactions, and pure silliness lead readers to pore closely over these images, pulled along by shifting perspectives, ethereal beauty, and delight in the joy born of friendship.

Rare is the book containing great emotional depth that truly resonates across a span of ages: this is one such. (author’s note) (Picture book. 5 & up)

Pub Date: Dec. 1, 2015

ISBN: 978-0-553-49705-2

Page Count: 112

Publisher: Schwartz & Wade/Random

Review Posted Online: Aug. 25, 2015

Kirkus Reviews Issue: Sept. 15, 2015

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 19, 2012

Kirkus Reviews Issue: July 15, 2012

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