A promising debut.
Journalist Florio’s story about a friend’s murder arrives crammed with atmosphere and intriguing characters.
Foreign correspondent Lola Wicks reluctantly returns from an assignment in Afghanistan, where she’s been holed up with a pool of reporters covering the conflict for so long that the dust, danger and shadowy way of life have become second nature. So when Lola ends up back in Baltimore to meet with an upstart young editor, she’s already sporting an attitude. When the editor informs her the newspaper is shutting down its overseas bureaus to concentrate on local news, Lola doesn’t take it well. A rebel and a loner, she heads for a short, preplanned visit with her close friend Mary Alice, also a former staffer at the paper. Mary Alice had taken an earlier buyout and moved to Montana, where she bought a cabin and went to work at the local paper. But when Lola arrives at the small airport, there’s no Mary Alice to greet her. Annoyed and in a hurry to return to Afghanistan, with or without the paper’s backing, Lola rents a car and drives up to her friend’s cabin deep in the woods near a tiny town called Magpie. But instead of a short reunion with Mary Alice, she finds her friend has been murdered, leaving behind her dog, a horse and a trail of clues that only someone like Lola, who knows her well, could follow. Lola plans to get out of town, but the sheriff has other ideas, and soon, she starts looking into her friend’s homicide, making friends and enemies along the way. Florio dips into her own background to make the protagonist competent and believable. Although it’s a bit difficult to buy Lola as a grizzled veteran at the tender age of 34, the author does a great job of writing a book that’s both evocative of the Montana countryside and a satisfying, hair-raising ride.
A promising debut.Pub Date: Nov. 15, 2013
ISBN: 978-1-57962-336-4
Page Count: 208
Publisher: Permanent Press
Review Posted Online: July 20, 2013
Kirkus Reviews Issue: Aug. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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