Despite lackluster dialogue, this book expertly manages a sci-fi conceit that is as bizarre as it is ultimately plausible.

Broken Symmetries

AGE OF ILLUMINATI

From the Age of Illuminati series , Vol. 1

Scientists using suspicious technology may be seeking to trigger an apocalypse in this novel from debut author Ormziar.

A theologian named Hast wakes up in 2060 from a striking nightmare. Having envisioned a day of judgment for mankind, he cannot easily shake the images. As he comments to his wife, “Doomsday is perhaps on its way” after all. A week ago, “he had read a news article where scientists were warning people that a deadly meteor was heading toward earth, and it was set to hit it by 2068.” Days after his dream, Hast is contacted by Interpol agent Mark Robinson. Working on a tip that “someone was trying to play the role of God and was planning to control everyone’s mind,” Mark finds himself examining a large scientific project called The New ARK. TNARK, as the endeavor is known, is ostensibly engaged in the process of using “genetic engineering to modify human genes in order to create a super organism.” There are, however, suspicions that something much more sinister is at play. When, during Mark’s investigation into mind control, he comes across Hast’s writings on the subject as well as his work on end-of-days prophecies, Mark realizes that he might be looking for the Antichrist. So begins an unlikely alliance that seeks to thwart a scientific attempt at world domination. Making use of “3D bio-printing technology” and other near-future (and present-day) advancements, the scenario delivers its share of wild, albeit not too wild, ideas. The result is an overall eeriness that would not exist in a more fantastical premise. Dialogue tends to be obvious, as when Mark first meets Hast and informs him that he seems to “have an impressive knowledge about the history of religions, especially Abrahamic faiths.” Nevertheless, at under 300 pages, the book moves quickly and encompasses topics ranging from the duality of Zoroastrianism to “blue light brain control.” As strange as such a convergence may initially seem, it results in an ambitious narrative that never lacks in fatalistic intrigue.

Despite lackluster dialogue, this book expertly manages a sci-fi conceit that is as bizarre as it is ultimately plausible.

Pub Date: Nov. 23, 2015

ISBN: 978-1-5172-2388-5

Page Count: 276

Publisher: CreateSpace

Review Posted Online: Jan. 19, 2016

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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