Despite lackluster dialogue, this book expertly manages a sci-fi conceit that is as bizarre as it is ultimately plausible.
Scientists using suspicious technology may be seeking to trigger an apocalypse in this novel from debut author Ormziar.
A theologian named Hast wakes up in 2060 from a striking nightmare. Having envisioned a day of judgment for mankind, he cannot easily shake the images. As he comments to his wife, “Doomsday is perhaps on its way” after all. A week ago, “he had read a news article where scientists were warning people that a deadly meteor was heading toward earth, and it was set to hit it by 2068.” Days after his dream, Hast is contacted by Interpol agent Mark Robinson. Working on a tip that “someone was trying to play the role of God and was planning to control everyone’s mind,” Mark finds himself examining a large scientific project called The New ARK. TNARK, as the endeavor is known, is ostensibly engaged in the process of using “genetic engineering to modify human genes in order to create a super organism.” There are, however, suspicions that something much more sinister is at play. When, during Mark’s investigation into mind control, he comes across Hast’s writings on the subject as well as his work on end-of-days prophecies, Mark realizes that he might be looking for the Antichrist. So begins an unlikely alliance that seeks to thwart a scientific attempt at world domination. Making use of “3D bio-printing technology” and other near-future (and present-day) advancements, the scenario delivers its share of wild, albeit not too wild, ideas. The result is an overall eeriness that would not exist in a more fantastical premise. Dialogue tends to be obvious, as when Mark first meets Hast and informs him that he seems to “have an impressive knowledge about the history of religions, especially Abrahamic faiths.” Nevertheless, at under 300 pages, the book moves quickly and encompasses topics ranging from the duality of Zoroastrianism to “blue light brain control.” As strange as such a convergence may initially seem, it results in an ambitious narrative that never lacks in fatalistic intrigue.
Despite lackluster dialogue, this book expertly manages a sci-fi conceit that is as bizarre as it is ultimately plausible.Pub Date: Nov. 23, 2015
ISBN: 978-1-5172-2388-5
Page Count: 276
Publisher: CreateSpace
Review Posted Online: Jan. 19, 2016
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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