Uproarious, sharp, and outrageously funny joyride with plenty of octane, though it doesn’t really go anywhere in the end.
An award-winning Icelandic novelist makes his English-language debut with a kind of Arctic Bright Lights, Big City, following the nocturnal misadventures of an overgrown baby who refuses to grow up.
As depicted here, the better part of Iceland’s populace are either writers or drunks. Our antihero Hlynur Bjorn drinks a fair amount every night himself and is always working Shakespearean quotes into his conversation. Thirty-three-year-old Hlynur still lives with his mother and is happily unemployed. He usually gets up shortly before Mom comes home from work, browses the bookstores, and spends the evenings in Reykjavik nightclubs with his pals Throstur and Guildy. Most nights Hlynur finds someone to have sex with, but he doesn’t have a steady girlfriend and is in no rush to find one. Iceland is a pretty broadminded place, sexually speaking (when Hlynur’s lesbian mother came out of the closet all he had to say was “cool”), so it’s easy not to commit. But several unexpected events complicate this happy routine. First, Hlynur falls for Mom’s girlfriend Lolla. Second, a woman Hlynur slept with a couple of times turns up pregnant with his child and decides to have the baby. Third, Guildy is diagnosed with AIDS. And fourth (this is a little while later), Lolla turns out to be pregnant by Hlynur as well. There are a lot of additional minor crises (e.g., Hlynur’s drunkard father falls off the wagon), but they go by the wayside once everyone starts getting pregnant. Hlynur tries his best to keep to his schedule of books, booze, porn, and sex, but suddenly he finds himself faced with emotional crises of a magnitude for which he is wholly unprepared. Is he actually going to get serious and decide what he wants from life? We all have to, sooner or later—even in Iceland.
Uproarious, sharp, and outrageously funny joyride with plenty of octane, though it doesn’t really go anywhere in the end.Pub Date: Jan. 1, 2003
ISBN: 0-7432-2514-7
Page Count: 352
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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