Uproarious, sharp, and outrageously funny joyride with plenty of octane, though it doesn’t really go anywhere in the end.
An award-winning Icelandic novelist makes his English-language debut with a kind of Arctic Bright Lights, Big City, following the nocturnal misadventures of an overgrown baby who refuses to grow up.
As depicted here, the better part of Iceland’s populace are either writers or drunks. Our antihero Hlynur Bjorn drinks a fair amount every night himself and is always working Shakespearean quotes into his conversation. Thirty-three-year-old Hlynur still lives with his mother and is happily unemployed. He usually gets up shortly before Mom comes home from work, browses the bookstores, and spends the evenings in Reykjavik nightclubs with his pals Throstur and Guildy. Most nights Hlynur finds someone to have sex with, but he doesn’t have a steady girlfriend and is in no rush to find one. Iceland is a pretty broadminded place, sexually speaking (when Hlynur’s lesbian mother came out of the closet all he had to say was “cool”), so it’s easy not to commit. But several unexpected events complicate this happy routine. First, Hlynur falls for Mom’s girlfriend Lolla. Second, a woman Hlynur slept with a couple of times turns up pregnant with his child and decides to have the baby. Third, Guildy is diagnosed with AIDS. And fourth (this is a little while later), Lolla turns out to be pregnant by Hlynur as well. There are a lot of additional minor crises (e.g., Hlynur’s drunkard father falls off the wagon), but they go by the wayside once everyone starts getting pregnant. Hlynur tries his best to keep to his schedule of books, booze, porn, and sex, but suddenly he finds himself faced with emotional crises of a magnitude for which he is wholly unprepared. Is he actually going to get serious and decide what he wants from life? We all have to, sooner or later—even in Iceland.
Uproarious, sharp, and outrageously funny joyride with plenty of octane, though it doesn’t really go anywhere in the end.Pub Date: Jan. 1, 2003
ISBN: 0-7432-2514-7
Page Count: 352
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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