Informed, unpretentious and attentive, this Western breathes life into little-known historical events
Franklin College professor Nuwer (The Hazing Reader, 2004, etc.) breaks from scholarly publications with this debut Western novel set in the Basque region of Spain and the rugged terrain of Idaho.
In the years leading up to the Spanish-American War, the Spanish military conscripted thousands of men and boys to fight. Having lived a peaceful life with their adopted father near the Basque city of Guernica, teenage brothers Anton and Nicky are reluctant to acknowledge that the conscription threatens their safety and their lives. Having more foresight, their father arranges their passage to America to work with his half brother on his sheep ranch. Once there, they are thrown into a new life, first of rigorous training, then of solitude and loneliness as they spend two years tending the flock on the open range. They meet a community of other Basque workers, as well as immigrants of other nationalities working for a better life. Unfortunately, they also meet with prejudice against the Basques, especially by a local cattle farmer bent on gaining as much land as he can—by any means. Nuwer excels at creating a vivid, atmospheric sense of place, both in Spain and Idaho. His pacing is by no means brisk, but rather than being a detraction, it highlights the introspection and attention to detail throughout the story. The dialogue has a few awkward moments, including humor that occasionally falls flat, as with Nicky’s response to a ribbing: “That was like humor, only not funny.” Also, phrases such as “the wagons rolled west, ever west, without them” seem a bit implausible coming from a seasoned sheep herder. However, readers will likely gloss over these issues in favor of Nuwer’s keen eye for detail and historical accuracy. With its focus on teenage characters and specific exploration of bullying and hazing, this book has considerable appeal not only to fans of Westerns but to young adults as well.
Informed, unpretentious and attentive, this Western breathes life into little-known historical eventsPub Date: Nov. 25, 2013
ISBN: 978-0989291767
Page Count: 324
Publisher: Shalako Press
Review Posted Online: Jan. 10, 2014
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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