Informed, unpretentious and attentive, this Western breathes life into little-known historical events

SONS OF THE DAWN

A BASQUE ODYSSEY

Franklin College professor Nuwer (The Hazing Reader, 2004, etc.) breaks from scholarly publications with this debut Western novel set in the Basque region of Spain and the rugged terrain of Idaho.

In the years leading up to the Spanish-American War, the Spanish military conscripted thousands of men and boys to fight. Having lived a peaceful life with their adopted father near the Basque city of Guernica, teenage brothers Anton and Nicky are reluctant to acknowledge that the conscription threatens their safety and their lives. Having more foresight, their father arranges their passage to America to work with his half brother on his sheep ranch. Once there, they are thrown into a new life, first of rigorous training, then of solitude and loneliness as they spend two years tending the flock on the open range. They meet a community of other Basque workers, as well as immigrants of other nationalities working for a better life. Unfortunately, they also meet with prejudice against the Basques, especially by a local cattle farmer bent on gaining as much land as he can—by any means. Nuwer excels at creating a vivid, atmospheric sense of place, both in Spain and Idaho. His pacing is by no means brisk, but rather than being a detraction, it highlights the introspection and attention to detail throughout the story. The dialogue has a few awkward moments, including humor that occasionally falls flat, as with Nicky’s response to a ribbing: “That was like humor, only not funny.” Also, phrases such as “the wagons rolled west, ever west, without them” seem a bit implausible coming from a seasoned sheep herder. However, readers will likely gloss over these issues in favor of Nuwer’s keen eye for detail and historical accuracy. With its focus on teenage characters and specific exploration of bullying and hazing, this book has considerable appeal not only to fans of Westerns but to young adults as well.

Informed, unpretentious and attentive, this Western breathes life into little-known historical events

Pub Date: Nov. 25, 2013

ISBN: 978-0989291767

Page Count: 324

Publisher: Shalako Press

Review Posted Online: Jan. 10, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

BAREFOOT

Privileged 30-somethings hide from their woes in Nantucket.

Hilderbrand’s saga follows the lives of Melanie, Brenda and Vicki. Vicki, alpha mom and perfect wife, is battling late-stage lung cancer and, in an uncharacteristically flaky moment, opts for chemotherapy at the beach. Vicki shares ownership of a tiny Nantucket cottage with her younger sister Brenda. Brenda, a literature professor, tags along for the summer, partly out of familial duty, partly because she’s fleeing the fallout from her illicit affair with a student. As for Melanie, she gets a last minute invite from Vicki, after Melanie confides that Melanie’s husband is having an affair. Between Melanie and Brenda, Vicki feels her two young boys should have adequate supervision, but a disastrous first day on the island forces the trio to source some outside help. Enter Josh, the adorable and affable local who is hired to tend to the boys. On break from college, Josh learns about the pitfalls of mature love as he falls for the beauties in the snug abode. Josh likes beer, analysis-free relationships and hot older women. In a word, he’s believable. In addition to a healthy dose of testosterone, the novel is balanced by powerful descriptions of Vicki’s bond with her two boys. Emotions run high as she prepares for death.

Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

Pub Date: July 2, 2007

ISBN: 978-0-316-01858-6

Page Count: 352

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2007

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