Within this book is an excellent novel that would have been stronger with a less complicated treatment.
The real-life crash of a charter plane full of Atlanta's white elite is the inspiration for a fictional examination of race, class, love, and betrayal.
In the summer of 1962, more than 100 Atlanta art lovers were about to return from their junket to the great museums of Italy and France when their jet crashed during takeoff at Orly. The only member of the tour group who didn't perish was Raif Bentley, who took a slightly later plane because he and his wife, parents of three, had a policy of never flying together. In Pittard's (Listen to Me, 2016, etc.) re-imagination of the aftermath of this disaster, Raif returns home to an emotionally ravaged world. His good friends Robert and Lily Tucker, a couple expecting their first child, have lost both of Lily's parents, and Robert, an editor at the Atlanta Journal, has lost his young mistress, a writer from the paper whom he sent to cover the trip. So devastated is he that he walks out on pregnant Lucy that very day and goes into a messy, booze-soaked free fall. The Tuckers' separate perspectives on what happens after that are two of several angles among which the narration rotates. People who have no connection to the crash—Piedmont Dobbs, a 19-year-old African-American who's just left home, and Anastasia Rivers, an opportunistic white beauty who does exhibition diving at a hotel—enter the story as it becomes a study of the effect of privilege on relationships in Atlanta, circa 1962. Some of the angles are more gripping and believable than others; in particular, the engrossing and moving plotline involving Piedmont carries the book and makes some of the rest of it seem rather thin. By the time the novel climaxes at a Fourth of July party held in an over-the-top mansion built on the site of a lynching, one can't help but notice that the plane crash is actually pretty tangential to its main concerns.
Within this book is an excellent novel that would have been stronger with a less complicated treatment.Pub Date: June 5, 2018
ISBN: 978-0-544-74806-4
Page Count: 288
Publisher: Houghton Mifflin Harcourt
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.
Tremendous in scope—tremendous in depth of penetration—and as different a Steinbeck as the Steinbeck of Burning Bright was from the Steinbeck of The Grapes of Wrath.
Here is no saga of the underprivileged—no drama of social significance. Tenderness, which some felt was inherent in everything Steinbeck wrote, is muted almost to the vanishing point in this story of conflict within character, impact of character on character, of circumstances on personalities, of the difficult acceptance of individual choice as against the dominance of inherited traits. The philosophy is intimately interwoven with the pace of story, as he follows-from New England to California over some fifty odd years-the two families which hold stage center. There are the Trasks, brothers in two generations, strangely linked, strangely at war the one with the other; there are the Hamiltons (John Steinbeck's own forebears), a unique Irish born couple, the man an odd lovable sort of genius who never capitalizes on his ideas for himself, the tiny wife, tart, cold-and revealing now and again unexpected gentleness of spirit, the burgeoning family, as varied a tribe as could be found. And- on the periphery but integral to the deepening philosophy which motivates the story, there is the wise Chinese servant scholar and gentleman, who submerges his own goals to identify himself wholly with the needs of the desolate Adam Trask, crushed by his soulless wife's desertion, and the twin boys, Cal, violent, moody, basically strong enough to be himself—and Aron, gentle, unwilling to face disagreeable facts, beloved by all who met him. In counterpoint, the story follows too the murky career of Adam's wife, Cathy—who came to him from a mysteriously clouded past, and returned to a role for which she was suited—as a costly whore, and later as Madame in Salinas most corrupt "house," where the perversions of sex ridden males were catered to—and cruelty capitalized upon.Shock techniques applied with rapier and not bludgeon will rule the book out for the tender-skinned.
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.Pub Date: Sept. 19, 1952
ISBN: 0142004235
Page Count: 616
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Sept. 1, 1952
BOOK TO SCREEN
BOOK TO SCREEN
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