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YOU ONLY LIVE ONCE

A manically funny farce both delightfully absurd and strangely plausible.

Awards & Accolades

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A psychiatric patient who believes he’s a British spy escapes from a mental institution and finds himself embroiled in real intrigue in this debut comedy. 

James Flynn grew up in California and was orphaned when he was 10 years old, shuffled from one foster home to another. But as an adult, he’s convinced he works for the British Secret Service and that his home, the City of Roses Psychiatric Institute, is his agency’s headquarters. He speaks in a British accent, walks the halls in swanky suits, and habitually seduces fawning female nurses. When the institute is taken over by a new administration, headed by the insufferable Dr. Grossfarber, James escapes, confident that the Secret Service has been compromised by adversaries. He finds Sancho, a 22-year-old orderly at City of Roses, and drags him into the search for Dulcie Delgadillo, a beautiful, young drug addict released from the institute, who James believes has been kidnapped. Once at her apartment, he finds a loaded revolver and a duffel bag crammed with cash, which belong to Dulcie’s abusive boyfriend, Mike Croker, a motorcycle gang member involved in drug dealing. James uses the money to outfit himself in an Armani suit, buys an Aston Martin, and is pursued both by drug dealers intent on retrieving their stolen cash and the police looking to return him to the institute. James then stumbles on a major crime boss’s plot to kidnap the world’s 10 richest people in an attempt to profit from the global stock market collapse that he believes will ensue. Orkin pays comedic homage to Cervantes’ Don Quixote, the obvious fictional inspiration for James’ flights of deluded fantasy. But unlike that work’s treatment of Quixote’s hallucinations, it remains tantalizingly unclear if James is sane or not—he’s uncannily talented at being an action hero for someone theatrically posing as one. This is really a novella, at under 160 pages, and the plot moves at breakneck speed. The author’s prose is so buoyant that it borders on gleeful, with James dispensing words of wisdom to Sancho (“A man is like a teabag….You never know how strong he is until you dip him in hot water”). Orkin skillfully manages to create a story that is genuinely amusing, tenderly moving, and decidedly thoughtful. 

A manically funny farce both delightfully absurd and strangely plausible.

Pub Date: March 21, 2018

ISBN: 978-1-77223-360-5

Page Count: 192

Publisher: Imajin Books

Review Posted Online: April 23, 2018

Kirkus Reviews Issue: June 1, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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