A manically funny farce both delightfully absurd and strangely plausible.
A psychiatric patient who believes he’s a British spy escapes from a mental institution and finds himself embroiled in real intrigue in this debut comedy.
James Flynn grew up in California and was orphaned when he was 10 years old, shuffled from one foster home to another. But as an adult, he’s convinced he works for the British Secret Service and that his home, the City of Roses Psychiatric Institute, is his agency’s headquarters. He speaks in a British accent, walks the halls in swanky suits, and habitually seduces fawning female nurses. When the institute is taken over by a new administration, headed by the insufferable Dr. Grossfarber, James escapes, confident that the Secret Service has been compromised by adversaries. He finds Sancho, a 22-year-old orderly at City of Roses, and drags him into the search for Dulcie Delgadillo, a beautiful, young drug addict released from the institute, who James believes has been kidnapped. Once at her apartment, he finds a loaded revolver and a duffel bag crammed with cash, which belong to Dulcie’s abusive boyfriend, Mike Croker, a motorcycle gang member involved in drug dealing. James uses the money to outfit himself in an Armani suit, buys an Aston Martin, and is pursued both by drug dealers intent on retrieving their stolen cash and the police looking to return him to the institute. James then stumbles on a major crime boss’s plot to kidnap the world’s 10 richest people in an attempt to profit from the global stock market collapse that he believes will ensue. Orkin pays comedic homage to Cervantes’ Don Quixote, the obvious fictional inspiration for James’ flights of deluded fantasy. But unlike that work’s treatment of Quixote’s hallucinations, it remains tantalizingly unclear if James is sane or not—he’s uncannily talented at being an action hero for someone theatrically posing as one. This is really a novella, at under 160 pages, and the plot moves at breakneck speed. The author’s prose is so buoyant that it borders on gleeful, with James dispensing words of wisdom to Sancho (“A man is like a teabag….You never know how strong he is until you dip him in hot water”). Orkin skillfully manages to create a story that is genuinely amusing, tenderly moving, and decidedly thoughtful.
A manically funny farce both delightfully absurd and strangely plausible.Pub Date: March 21, 2018
ISBN: 978-1-77223-360-5
Page Count: 192
Publisher: Imajin Books
Review Posted Online: April 23, 2018
Kirkus Reviews Issue: June 1, 2018
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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