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THE STALLION

On the evidence of this sequel to The Betsy (1971), schlockmeister Robbins has lost whatever knack he may once have had for down-and-dirty storytelling. The generation-spanning tale starts in the early 1970s when Angelo Perino (an exGrand Prix great and automotive engineer) reluctantly rejoins forces with the degenerate Hardeman clan to save Bethlehem Motors, the failing family firm. Under the envious eye of Loren III (the founding father's malicious, manipulative grandson), Angelo oversees development of the Stallion, a sporty sedan that revives the company's flagging fortunes. Despite time- consuming corporate and domestic responsibilities, studly Angelo (recently wed to Cindy, a former racetrack groupie) manages to mix a good deal of boudoir pleasure with executive-suite business, bedding all of the Hardeman women (and a good many others) in exotic locales throughout the Global Village. As Angelo moves effortlessly from triumph to triumph, the resentful Loren III and his vaultingly ambitious wife, Roberta (another Perino conquest), scheme to remain in the driver's seat at BM while Cindy has sexual liaisons of her own (when not giving birth to five children or minding the upscale art gallery she's opened on Manhattan's Park Avenue). The Loren IIIs eventually overreach themselves, commissioning the highway deaths of their niece and three Perino kids who are road-testing a battery-powered car championed by Angelo. The dastardly plot is foiled, and they lose the power struggle for control of their Motown empire. At the close, moreover, a daughter of Angelo and Cindy's weds Loren III's grandson, uniting the feuding families, while the would-be paterfamilias faces a long stretch in the slammer. With more couplings than a railroad switchyard—and about as much reality as a dude ranch.

Pub Date: Feb. 1, 1996

ISBN: 0-684-81067-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1995

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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