From the author of the American Book Award-winning Stones for Ibarra (1984): a novel that limns in lapidary prose a story of loss and renewal in a small Mexican village—a town transformed by Americans inadvertently ``into something more beautiful than it is.'' As in an old morality fable—without the moralizing—Doerr tells of four expatriates driven to seek refuge in a place so unfamiliar that its ``otherness'' will be the catalyst that restores them. When ``two irresolute Americans'' arrive in tiny Amapolas, set in the midst of a barren mesa, and together buy ten acres from the local grandee, the villagers observe them with curiosity and tolerance. But recently divorced artist Sue Ames and her unlikely business partner, Bud Loomis (on the run from the Arizona tax authorities), have different reasons for making the purchase: Sue hopes to live there forever, and Bud wants to restore his finances. Realizing, though, that they can't afford their houses unless they subdivide the land, they sell plots to the 79- year-old Ursula Bowles, a recent widow, who was born in Mexico and now wants to regain ``the brilliant patchwork of her never-ending past,'' and her twice-divorced daughter, Fran, who wants a house so that her Mexican lover can visit her. Over a period of five years, houses are built; droughts take their toll; locals in the Americans' employ prosper; and the four Americans begin to change: Sue realizes that she'd been too hasty in divorcing her husband; the now-dying Ursula accepts the loss of life and love (``an individual life is in the end nothing more than a stirring of air''); Fran, abandoned by her glamorous lover, meets a homely but dependable archaeologist; and Bud pays back his taxes and becomes a local benefactor. Wisdom and happiness prevail. A beautifully rendered novel in which the happy endings are more eloquent epiphanies than facile plot wrap-ups—and a second novel well worth the wait.
Pub Date: Aug. 1, 1993
ISBN: 0-15-193103-8
Page Count: 256
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1993
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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