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Vampire Vic

A vampire’s entertaining journey of self-discovery.

In this debut novel, a fat, balding accountant/vampire tries to take charge of his boring life.

Two years after becoming a vampire, Victor Thetherson still masks the taste of expired blood-bank blood with Bloody Mary mix and vodka. The problem is that he can’t bring himself to actually bite anyone. He’d hoped that becoming a vampire would give him a new lease on his unsatisfying life in Houston, but it’s clear that people don’t see “Vampire Vic” as any more of a threat than they did the old Victor. No one fears him, or even respects him, and he lives the same dull life as he did before. When his company’s upcoming merger threatens to eliminate not only his job, but those of the employees who depend upon him, he decides to take the first step toward transforming his life—by biting people. As Victor embraces his vampire self, he finds that he’s still not the man he dreamed of becoming as a youth, so he starts working out and begins commanding respect. Some readers might say that no vampire story is complete without a vampire killer, but this story could have done without Eugene Foreman, a scrawny slayer in a Zorro costume set on destroying Victor. Readers will find the story’s true intrigue not in the mortal confrontation between Victor and his opponents but in his inner struggle and personal determination to reclaim his life. It’s sometimes difficult to keep track of the numerous secondary characters, although they’re moderately well-developed; the women in Victor’s life, in particular, are nearly interchangeable. Although the novel leaves a lot of loose ends, particularly regarding Victor’s relationship with a woman named Darla, his story comes satisfyingly full circle, making him a relatable hero among accountants. The novel may find an audience among fans of workplace comedies such as the 1999 cult film Office Space.

A vampire’s entertaining journey of self-discovery.

Pub Date: March 4, 2013

ISBN: 978-0988895713

Page Count: 318

Publisher: HarrisGray

Review Posted Online: May 21, 2013

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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