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Chinaberry Summer

RIVERTON, ALABAMA 1947

An array of vivid characters struggles to hold on to archaic ways in Alabama in this somewhat disjointed tale.

A novel depicts a cross-section of the population of a segregated, Deep South town in a series of vignettes.

Many consequential events are happening during the summer of 1947, but for about 10 young, white boys in the small Alabama town of Riverton, their annual summer battle between the Ramar Renegades and the River Road Rangers is paramount. The clash, comprising boys from about age 8 to preteen, is held annually for bragging rights and involves tremendous inventive preparation. Murray Austin, the fat 14-year-old who leads the Renegades, faces intimidation tactics used by his school peers as a half-Jewish outcast. He exerts his superiority with his cannon, “a motorcycle inner tube he had cut in half and tied to the frame of a six-foot floor fan he found in the trash behind Curtis grocery.” The boys’ armamentarium includes homemade sling shots and the fruit of the ubiquitous chinaberry tree. The contest frames the book, which reveals an amalgam of Riverton locals. The effects of segregation influence every person’s experience. Simple language sometimes belies more nuanced thinking. According to Marsha Louise Armistead, Joyce Needham “comes from a well-to-do family and can afford to say what she thinks. I can’t...Maybe we should love all the Jews and nigras and a-rabs and bring ’em all into our homes and sit ’em down at our tables and wait on ’em. But that just ain’t the way things are.” Some characters do become more open-minded as they interact with new people of other races. The old, white recluse Ruth St. John meets an educated black man, Gayle Fremont: “What Gayle learned from their encounter was that even though Ruth was clearly a racist, she did not hate blacks.” Ruth continues to grow more enlightened in the work’s most vibrant arc. A lighter touch when attempting to provide historical context would have improved Green’s (After My Fall from the Treehouse, 2013) somewhat rambling novel, filled with tangents. A black character named Crayton Turner asks: “Whatchew white boys think about Jackie Robinson goin’ to the Majors?”; “What do you girls think about this Kon-Tiki voyage?” asks Pete Flournoy; and “What do you think, Pete, about Truman mixin’ up the races in the arm service?” asks Boyd, a butcher at the A&P. The future will bring tectonic shifts to Riverton’s daily life, but during this summer many residents are still waging old battles.

An array of vivid characters struggles to hold on to archaic ways in Alabama in this somewhat disjointed tale.

Pub Date: Sept. 11, 2006

ISBN: 978-1-4259-4303-5

Page Count: 296

Publisher: AuthorHouse

Review Posted Online: Aug. 30, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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