Enlightening insight into a creative mind that may stifle some readers but that adds further mystique to a unique persona.
A memoir from the acclaimed writer and visual artist.
Guggenheim fellow Dodge is a well-known artist whose work has been exhibited at the Museum of Modern Art and the Museum of Contemporary Art in Los Angeles, among other venues around the world. For literary sorts, however, he may be best known as the singular presence in his partner Maggie Nelson’s inventive memoir The Argonauts, which described the relationship between two incredible artistic creators. Dodge’s memoir is in no way linear, which may make it difficult to work through for some readers, and there’s little context to the material. The book, he writes, “was drafted, in large part, using unaugmented recollection as a primary source; some of the resulting inaccuracies have been purposefully left uncorrected.” Throughout, the author discusses Nelson and her book and provides affectionate passages about their children. The narrative, presented in clipped entries that don’t always cohere, jumps decades among the late 1970s and the present. One of the main themes is death, as Dodge considers the passing of his parents (“the place where my mom died was a nightmare. It was industrial dying, industrial death”), but there’s also plenty of existential trivia, with long, considered opinions on movies like Blade Runner, Arrival, and arcane films from the past. Dodge displays a wildly creative voice, opining on the remarkability of coincidence, the nature of individual intelligence, and the titular meteorite at the center of the narrative, which the author seems alternatively obsessed with and horrified by, depending on the moment. Ultimately, the text reads like a diary, compelling yet fragmentary confessions that might concern children at one moment and graphic, anonymous sex in another. Readers who like the voice will find plenty of intriguing bits about movies, books, and a somewhat psychedelic visit to Six Flags, but strangers will be wandering into unknown territory.
Enlightening insight into a creative mind that may stifle some readers but that adds further mystique to a unique persona.Pub Date: March 17, 2020
ISBN: 978-0-14-313436-7
Page Count: 336
Publisher: Penguin
Review Posted Online: Nov. 30, 2019
Kirkus Reviews Issue: Jan. 1, 2020
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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