by Harry Mulisch & translated by Paul Vincent ‧ RELEASE DATE: July 1, 2001
Definitely not hammock reading. This is exhilarating, mind-bending stuff by an author who probes ever deeper into the...
The riddle of creation, and the innumerable natural and man-made shocks the overweening intellect is (so to speak) heir to, are the dominant concerns in this elusive and fascinating metaphysical fiction.
It begins teasingly, with a research scientist’s speculations about the accounts of the creation given in Genesis and other ancient texts, and how these relate to the “story” “told” by the “language” of DNA, as theoretically deciphered by James Watson’s theory of the double helix. Then, in another of the 12 “documents” that make up Mulisch’s text, we learn the story of Rabbi Jehudhah Löw of 16th-century Prague, whose efforts to fashion a golem out of clay (at the behest of his Emperor), and thus ensure the protection of the Jews from persecution, instead produces a homicidal Frankensteinian monster. Thereafter, the novel settles into the extended “confession” of Victor Werker, a microbiologist who’s part of an international team doing DNA research on Egyptian mummies, the hubristic inventor of what he terms the “eobiont” (“the simplest independent life form possible,” which Werker has assembled, in godlike fashion, from inorganic materials), and the bereaved father of a stillborn daughter (mocking proof of his inability to create life after all) to whom he addresses long, analytical letters sent to his estranged wife. All this sounds oppressively dense, but Dutch author Mulisch (The Discovery of Heaven, 1996) uses the complex, self-challenging (and strangely endearing) figure of Werker as the fulcrum of a dazzlingly brilliant fictional structure that is itself a series of “creations”: the original one recorded in the Bible, the construction of an artificial human, the making (that is, the conception, birth, and early years) of Werker himself, and finally his own experiences as a maker—of the aforementioned eobiont, and of the book in which his theories and their consequences are encapsulated and (to a surprisingly successful degree) explained.
Definitely not hammock reading. This is exhilarating, mind-bending stuff by an author who probes ever deeper into the mysteries that matter most—and keeps getting better.Pub Date: July 1, 2001
ISBN: 0-670-91024-4
Page Count: 240
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2001
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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