by Harvey Hiestand ‧ RELEASE DATE: Nov. 6, 2013
A timely, and timeless, satirical novel.
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Hiestand’s debut sci-fi novel is a disturbingly plausible vision of a future America in economic and political upheaval—and a satirical gem reminiscent of the work of Philip K. Dick.
In a near-future Los Angeles plagued by a worsening recession, Everyman Zeno Jacobs is the newly appointed personnel director at HRW International, a bizarrely bureaucratic corporation that, due to a tax-credit loophole, essentially hires and fires employees for profit. The skyrocketing cost of living makes it increasingly difficult for many people to live, so it comes as no surprise when the Hundred Days Riots begin. Unruly mobs loot grocery stores, burn down banks and raze entire neighborhoods. Jacobs and his love interest, Shasta MacCalistaire, watch the proceedings from the relative safety of the HRW building as Los Angeles plunges into bloody chaos. Even after the Army establishes martial law, no one in the city is safe. Adept readers will find thematic depths in the novel’s more striking imagery; for example, the HRW building’s deadly labyrinth, where a deliveryman got lost and died, effectively symbolizes the unfathomable complexity of corporatocracy, as well as the difficulties that normal people have navigating a normal workday. (The paintings on the labyrinth’s walls offer up additional profundities.) At the same time, the cleverly constructed narrative is briskly paced and utterly readable. Like the best Philip K. Dick tales, the story works on multiple levels simultaneously—as a breathtakingly bleak vision of the future, a cautionary tale replete with social commentary, and, above all, an unlikely and unforgettable love story.
A timely, and timeless, satirical novel.Pub Date: Nov. 6, 2013
ISBN: 978-0989314985
Page Count: 482
Publisher: Air Raid Press
Review Posted Online: Aug. 12, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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