THE QUITTER

A lean and angry work, anchored by a mellowing sense of self-discovery.

Pekar digs deep into his childhood to find the roots of his desperate fear of failure.

Anyone who’s read even a few pages of Pekar’s voluminous ongoing graphic biography, American Splendor, knows that they’re not dealing with a happy man. What they might be a little taken aback to learn, after reading this book, is just how exceptionally angry he is. This is a guy who grew up using his fists almost as often as his tirade-prone mouth. Given a bright, dramatic graphic treatment by Haspiel, this depicts Pekar growing up after World War II in Mount Pleasant, a Jewish and Italian Cleveland neighborhood that was becoming predominantly African-American. Pekar, just about the only white kid on the street, routinely gets into street fights. By the time he gets to high school, far from developing a sensitive artistic temperament, all he wants is to be a fighter, and he goes out of his way looking for guys to wallop. At the same time, his crippling insecurities start to take hold, and he begins to sabotage himself time and again, all to avoid failure. Once out in the working world, he keeps screwing around and acting the clown, behavior that could come as a surprise to those familiar only with his more dour later work (Pekar, it seems, wasn’t always a grumpy old man). Eventually, the more familiar elements of his life are brought together: the brief flirtation with beatnik hipsterdom, the series of dead-end jobs, the continual, torturous worry about money and respect. It’s all handled with Pekar’s usual self-mocking, breezy forthrightness, as though he’s got no time to mess around by playing nice. One frame shows him peering anxiously into his mailbox, wondering, “Boy, I’d a thought someone would’ve written me a letter about my new book by now.”

A lean and angry work, anchored by a mellowing sense of self-discovery.

Pub Date: Oct. 5, 2005

ISBN: 1-4012-0399-X

Page Count: 104

Publisher: Vertigo/DC Comics

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2005

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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