by Hayden Herrera ‧ RELEASE DATE: June 22, 2021
By concentrating on telling a colorful, absorbing story rather than proving a point, Herrera moves and transports us.
Memories of a chaotic, peripatetic, and often magical childhood in the 1940s and ’50s.
In the preface to this excellent memoir—Herrera’s first, after acclaimed biographies of Frida Kahlo, Henri Matisse, Maxim Gorky, and others—the author explains that she and her sister, in their 80s, have never been able to decide whether their mother was wonderful or terrible. “Our terrible mother gave [us] a wonderful life,” she writes. “And, she was not the only terrible mother.” Both of their parents, each married multiple times and only briefly to one another, were members of a class her mother called “upper bohemia.” Born into privilege from about 1908 to 1920, these free spirits dedicated themselves to artistic and intellectual pursuits as well as to their own pleasure. When it came to raising children, they were usually inconsistent and haphazard. Herrera’s parents “were stars within their own community. They were talented and intelligent, but their most important asset was their beauty.” For the remainder of the book, the author slips beneath the surface of her childhood, spent on Cape Cod and in Manhattan, Boston, and Mexico. She maintains the perspective she had on events at that time, vividly evoking the little girl at the center of this story: her curiosity, pain, constant concern about her weight, disappointment in her father, and idolization of her mother. In 1950, when the girls were with their father in Cape Cod, their mother appeared in a car she called the “Coche de Mama” and drove them straight down to Mexico. The author’s accounts of the drive and the years in Mexico are highly cinematic, and Herrera avoids the excessive commentary, analysis, blame, and self-pity common in this type of memoir, allowing readers directly into the experience. In a satisfying epilogue, the author fills in the rest of the story up to the present day. The black-and-white photos attest to the beauty of the settings and all the people in them.
By concentrating on telling a colorful, absorbing story rather than proving a point, Herrera moves and transports us.Pub Date: June 22, 2021
ISBN: 978-1-9821-0528-0
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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PROFILES
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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