by Heather Chaplin ‧ RELEASE DATE: July 11, 2017
A restless yet satisfying memoir that will appeal most to women who’ve found themselves fleeing hopeless relationships.
Diary entries from a woman who left her marriage and husband for a freer existence.
Chaplin’s epistolary memoir, extracted from two years of recovered emails and journals she’d kept beginning in 2006, chronicles the dramatic, adventurous, and heartbreaking story of a restless married woman who’d fallen out of love with her husband of 13 years. The author opens with frustration and resentment at her “stoner” spouse, Josh, a formerly athletic Southern California surfer who remained glued to his video games while she wrote about her unhappiness in a secret daybook “to stave off going mad.” The author found catharsis through the “calming logic of language.” Desperate to abandon the rage-filled man she’d known since she was 20, the author eventually separated from him and moved to Dublin to meet her brother, Seth, who was touring with a rock band. In Dublin, Chaplin’s single life bloomed. Excited about the new world her separation inspired, the author writes feverishly of make-out sessions in the streets and of her passionate relationship with sexy Irish lad Kieran. Yet she felt like a “husk” when Josh called, on Christmas Eve, to ask for advice on a new relationship he’d begun with another woman in Los Angeles. Though the gears of this memoir grind a bit too erratically and self-consciously at times, Chaplin voices her intimate thoughts and emotions consistently and urgently enough to capture readers’ attention as well as their sympathy when the author’s free-for-all single life begins to sour. Memories of former happiness with Josh haunted her, and a serious bout of depression followed a spontaneously messy return to Ireland in an attempt to make miracles happen with the philandering Kieran. This a breezy, compelling slice of reality, as Chaplin openly shares her trials with a “freedom and exaltation such as I’d never known, as well as darkness that threatened to bury me.”
A restless yet satisfying memoir that will appeal most to women who’ve found themselves fleeing hopeless relationships.Pub Date: July 11, 2017
ISBN: 978-1-5011-3499-9
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: May 8, 2017
Kirkus Reviews Issue: June 1, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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