THE GIRL WITH THE BROKEN WING

Amanda and James’s science teacher says angels don’t exist, because wing and body ratios are aeronautically impossible, so who is it that they’re hiding in their attic bedroom? It’s Hilary, who looks like a real angel with soft white wings from her shoulders almost to her feet, but she doesn’t act like an ethereal saint. No glamorous entry into their lives, Hilary is depicted by Bailey’s simple line drawings splayed onto their roof one windy rain-soaked night and then collapsed onto their sofa. Dyer creates a comic early-chapter book where the engaging humor is intensified by Amanda and James’s perplexity as they scramble to protect their clueless “angel.” They can’t go to an adult for help because the adults won’t believe and are silly about practicalities. Warm and funny revelations show the bored child-angel stuck in an eternity of too much hymn singing and do-gooding, exuberantly trying to participate in normal everyday fun before she has to go home. Ripe for a sequel. (Fiction. 7-9)

Pub Date: Oct. 1, 2005

ISBN: 0-439-74827-5

Page Count: 160

Publisher: Chicken House/Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 2005

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TEA WITH MILK

In describing how his parents met, Say continues to explore the ways that differing cultures can harmonize; raised near San Francisco and known as May everywhere except at home, where she is Masako, the child who will grow up to be Say’s mother becomes a misfit when her family moves back to Japan. Rebelling against attempts to force her into the mold of a traditional Japanese woman, she leaves for Osaka, finds work as a department store translator, and meets Joseph, a Chinese businessman who not only speaks English, but prefers tea with milk and sugar, and persuades her that “home isn’t a place or a building that’s ready-made or waiting for you, in America or anywhere else.” Painted with characteristic control and restraint, Say’s illustrations, largely portraits, begin with a sepia view of a sullen child in a kimono, gradually take on distinct, subdued color, and end with a formal shot of the smiling young couple in Western dress. A stately cousin to Ina R. Friedman’s How My Parents Learned To Eat (1984), also illustrated by Say. (Picture book. 7-9)

Pub Date: April 1, 1999

ISBN: 0-395-90495-1

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1999

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KEVIN AND HIS DAD

There is something profoundly elemental going on in Smalls’s book: the capturing of a moment of unmediated joy. It’s not melodramatic, but just a Saturday in which an African-American father and son immerse themselves in each other’s company when the woman of the house is away. Putting first things first, they tidy up the house, with an unheralded sense of purpose motivating their actions: “Then we clean, clean, clean the windows,/wipe, wipe, wash them right./My dad shines in the windows’ light.” When their work is done, they head for the park for some batting practice, then to the movies where the boy gets to choose between films. After a snack, they work their way homeward, racing each other, doing a dance step or two, then “Dad takes my hand and slows down./I understand, and we slow down./It’s a long, long walk./We have a quiet talk and smile.” Smalls treats the material without pretense, leaving it guileless and thus accessible to readers. Hays’s artwork is wistful and idyllic, just as this day is for one small boy. (Picture book. 5-8)

Pub Date: April 1, 1999

ISBN: 0-316-79899-1

Page Count: 32

Publisher: Little, Brown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1999

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