Romance fiction right on target for rocker girls with a little therapy under their belts.
Engaging debut about death, modern romance, and growing up.
Junie, 25 and directionless, has yet to find herself and can’t quite embrace the good times with devoted live-in boyfriend Leon, a drummer who secretly dreams of leaving NYC with her to start a family and a restaurant in a small town. Junie fantasizes instead about Eliot, an embittered, middle-aged writer whose greatest success, a soft-core SF novel, is more than 20 years behind him. She perceives Elliot as potentially life-changing, while he’s just looking for his latest muse/plaything. Startlingly, while they carry on their flirtation, Eliot’s cat Alfie recognizes Junie as his soulmate from a past life; trapped in a feline body, he narrates his tragicomic frustration as he tries to be seen, win her back, and warn her away from Eliot. Following the affair’s anticlimactic consummation, Junie turns to her real issues: she cannot move past the death of her little brother when she was eight and needs to confront her parents about screwing her up thereafter. A trip back to Indiana and a conversation with her mother are enough to move our heroine up a step on the emotional maturity ladder; she returns to Leon, ready now for what he offers her. To her credit, Swain wears her knowingness like a loose garment: set in Williamsburg, New York City’s latest hipster hotbed, with a shaven-headed, goateed, rock-’n’-roll drummer love object and up-to-the-minute secondary characters like his bandmates in Mr. Whipple, the wealth of trendy how-they-live-now detail remains supporting texture rather than shiny distractions to the reasonably entertaining action.
Romance fiction right on target for rocker girls with a little therapy under their belts.Pub Date: Sept. 2, 2003
ISBN: 0-7434-6487-7
Page Count: 320
Publisher: Downtown Press/Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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