Wit, simplicity and scorching honesty distinguish an understated triumph.

THE SPARE ROOM

In a short, wise, oddly uplifting novel by Australian writer Garner, an old friend dying of cancer makes a memorable final visit.

Garner (The First Stone, 1997, etc.) tackles big themes—truth, death, the limits of friendship—with ease. Nicola and Helen are “old bohemians” whose bond reaches back a decade and a half. Sydney-based, wealthy Nicola is quirky and imperious (she has no use for deodorant, suitcases or underwear), whereas Melbourne-based Helen is more grounded, with family living next door. When Nicola arrives, her cancer is already far advanced: She has had surgery and radiation and is at stage four, the final stage, but the point of her visit is to try another, expensive alternative therapy. Helen, a tireless host, soon finds herself angry, partly because death has arrived in her house, partly because Nicola refuses stronger painkillers, but mainly because her friend stubbornly insists the treatment can cure her. Helen vents some of her mounting rage on the institution treating Nicola, taking her money while aware that her case is terminal. But eventually she confronts Nicola for using the treatments to distract herself from preparing for the end. When an oncologist advises a spinal operation, to be performed locally, which would mean Nicola's stay would be extended, Helen snaps. She can tend her friend no longer. What ensues is described briefly but with enormous love, despite Nicola's unchanging expectations.

Wit, simplicity and scorching honesty distinguish an understated triumph.

Pub Date: Feb. 3, 2009

ISBN: 978-0-8050-8888-5

Page Count: 192

Publisher: Henry Holt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 2008

Did you like this book?

No Comments Yet

The phrase “tour de force” could have been invented for this audacious novel.

Reader Votes

  • Readers Vote
  • 12

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2015

  • Kirkus Prize
  • Kirkus Prize
    winner

  • National Book Award Finalist

A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Did you like this book?

A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Did you like this book?

more