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WILD DOGS

Mysterious, poetic, suspenseful, heartbreaking: magnificent fiction that evokes the complex connection between humans and...

Exquisite novel by Humphreys (The Lost Garden, 2002, etc.) explores how humans are attracted to and fearful of the wildness they sense within themselves and those they love.

Alice is the center of six people who share a strong and troubled bond. They gather evenings on the edge of the woods, trying to call their dogs home. Alice is present because her out-of-work boyfriend took her dog to the woods to join the pack of wild dogs. Jamie’s hated stepfather also brought his dog. Walter’s dog was banished because he growled at Walter’s grandchild. Lily’s parents set her dog free to join the feral because they think she’s not responsible enough to take care of her dog, due to brain damage suffered when she was a child (she accidentally set a fire, then was badly burned saving her baby brother’s life). Malcolm’s dog ran away while he was out of town (a neighbor was supposed to be looking after him). A biologist who studies wolf packs is there, too, calling for an adopted wolf that’s gone back to the wild and is leader of the pack. Occasionally, the six actually do glimpse the dogs. Sharing memories of the walks they took with their dogs, they grow increasingly close. After a bad night with her boyfriend, Alice moves into an abandoned cabin on Malcolm’s land, and soon the biologist becomes her lover. Her elegiac second-person description of their affair is the emotional anchor of the story. The dog pack lives on rodents and rabbits, occasionally a sheep, causing farmers to call for a hunt on them. As pressure builds, everyone seems headed for trouble. Lily disappears, Malcolm becomes jealous of Alice’s lover, Jamie and some high-school mates rob a gas station, the biologist seems to cool toward Alice.

Mysterious, poetic, suspenseful, heartbreaking: magnificent fiction that evokes the complex connection between humans and the natural world in language that brings to mind Margaret Atwood’s Surfacing.

Pub Date: April 1, 2005

ISBN: 0-393-06015-2

Page Count: 192

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2005

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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