Mysterious, poetic, suspenseful, heartbreaking: magnificent fiction that evokes the complex connection between humans and...
Exquisite novel by Humphreys (The Lost Garden, 2002, etc.) explores how humans are attracted to and fearful of the wildness they sense within themselves and those they love.
Alice is the center of six people who share a strong and troubled bond. They gather evenings on the edge of the woods, trying to call their dogs home. Alice is present because her out-of-work boyfriend took her dog to the woods to join the pack of wild dogs. Jamie’s hated stepfather also brought his dog. Walter’s dog was banished because he growled at Walter’s grandchild. Lily’s parents set her dog free to join the feral because they think she’s not responsible enough to take care of her dog, due to brain damage suffered when she was a child (she accidentally set a fire, then was badly burned saving her baby brother’s life). Malcolm’s dog ran away while he was out of town (a neighbor was supposed to be looking after him). A biologist who studies wolf packs is there, too, calling for an adopted wolf that’s gone back to the wild and is leader of the pack. Occasionally, the six actually do glimpse the dogs. Sharing memories of the walks they took with their dogs, they grow increasingly close. After a bad night with her boyfriend, Alice moves into an abandoned cabin on Malcolm’s land, and soon the biologist becomes her lover. Her elegiac second-person description of their affair is the emotional anchor of the story. The dog pack lives on rodents and rabbits, occasionally a sheep, causing farmers to call for a hunt on them. As pressure builds, everyone seems headed for trouble. Lily disappears, Malcolm becomes jealous of Alice’s lover, Jamie and some high-school mates rob a gas station, the biologist seems to cool toward Alice.
Mysterious, poetic, suspenseful, heartbreaking: magnificent fiction that evokes the complex connection between humans and the natural world in language that brings to mind Margaret Atwood’s Surfacing.Pub Date: April 1, 2005
ISBN: 0-393-06015-2
Page Count: 192
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2005
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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