A rich historical novel of Germans who plotted against Hitler.
In Schrader’s historical epic, a group of Germans acts against the Nazi regime.
Germany, 1938. Chancellor Adolf Hitler and his National Socialist Party have changed the face of Germany. While many Germans seem to almost worship the new leader, the young Baron Philip von Feldberg is not so sure about the direction the country has taken. “Philip noted the huge Nazi flag flapping before the station and caught sight of the straw swastikas hung on the Christmas tree at the post office. In one of the store windows, someone had placed a photo of Adolf Hitler and adorned it with greens and a candle as if it were the picture of the Virgin or a saint.” Regardless of his feelings for the Führer, Philip is a member of the German General Staff, the group of men who will be in charge of executing the war that Hitler seems to be itching to start. It turns out he isn’t the only Hitler-skeptical member of the General Staff. He soon strikes up a friendship—and more—with an outspoken secretary named Alexandra Mollwitz. There are others who are horrified by the Nazi’s excesses: Marianne Moldenhauer, a fed-up factory worker; Peter Kessler, a disillusioned Gestapo officer; even Alexandra’s boss, Gen. Friedrich Olbricht. But are these Germans willing to betray their government in order to save Germany—and maybe the world—from destruction? Schrader’s prose is spare but fluid, as here when illustrating a camp Marianne attends during her national labor service: “The Duty Leader woke the girls in the barrack with the usual loud ringing of the bell, followed by shouts of ‘Wake up! Wake up!’ A chorus of groans and muttered curses could be heard as the girls rolled out of their bunks, and the everyday chaos of a hundred girls rushing to the showers began.” The author is less adept at handling some of the romantic relationships—they are quickly established and largely uncomplicated—but romance is perhaps not the point of the book. The novel is a deeply researched window into the wartime lives of Germans at odds with Hitler’s regime, and while the story of Operation Valkyrie may be well known, Schrader offers the larger context for the German resistance with admirable depth and detail.
A rich historical novel of Germans who plotted against Hitler.Pub Date: June 1, 2021
ISBN: N/A
Page Count: -
Publisher: Cross Seas Press
Review Posted Online: Oct. 16, 2021
Review Program: Kirkus Indie
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.
A retelling of Pinocchio from Geppetto's point of view.
The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.Pub Date: Jan. 26, 2021
ISBN: 978-0-593-18887-3
Page Count: 208
Publisher: Riverhead
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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