by Helene Z. Hill ‧ RELEASE DATE: N/A
A brutally honest memoir of the successes and defeats of a pioneering scientist.
Hill’s memoir makes a case for ethics in scientific research.
As a married woman living a seemingly comfortable domestic life in the 1950s, the author recounts that she “became increasingly frustrated with my empty life, enlivened only by my addiction to radio soap operas.” To alleviate her boredom, she enrolled as a part-time graduate student at Brandeis University, where she took a class on cellular biology. At the time she enrolled in 1957, cellular genetics was a revolutionary field, having been transformed just four years earlier by the discovery of the Watson-Crick model for DNA. This new area of molecular biology combined some of Hill’s favorite subjects—chemistry, physics, and math—and, from that class forward, she writes, “I was hooked.” By 1964, Hill had divorced her first husband, obtained a doctorate degree, and launched her career as a groundbreaking woman scientist. The book is divided into two parts, the first of which focuses on the author’s life of “privilege and opportunity” growing up in 1930s Philadelphia in an upper-middle-class family (her grandfather was one of the nation’s preeminent ophthalmologists). Despite an ostensibly propitious upbringing, which included summer camps in Connecticut, Hill emphasizes that she was “not happy.” Indeed, much of the book’s narrative is somber in tone, including its second part (“My Career as a Scientist”), which highlights her impressive work history. Her resume includes dozens of publications as well as postdoctoral and faculty appointments at Harvard University, the University of Colorado Medical Center, and a long-standing tenure as a professor of radiology at Rutgers New Jersey Medical School. Despite these accomplishments, much of the narrative is devoted to the author’s unsuccessful quest to expose scientific malpractice among her male colleagues who, she believes, wrongly received significant grant funding from the federal government for allegedly dubious research. After a failed qui tam lawsuit in the early 2000s, in which she acted as a whistleblower under the False Claims Act to stop fraudulent grant activities by fellow scientists, Hill concludes, “crime does pay.” In the wake of the lawsuit, the author lost many of her friends from the scientific community as her career “collapsed.” And though she would join a group of women professors in winning a gender discrimination lawsuit against the New Jersey Medical School in 2006, the damage to her career had already been done.
The book’s often depressive, defeatist tone extends to the author’s personal life as well. Indeed, the book’s titular “Crying Window” is a reference to a window in her house that her youngest daughter would press against and cry “Please don’t go!” every day before Hill went to work. Those looking for a feel-good story of a pioneering scientist will be rudely brought to reality in this often forlorn narrative, which emphasizes the personal tolls that successful careers take on families as well as the professional ramifications of adhering to honesty and integrity in a system exploited by colleagues without similar ethical codes. Many of the book’s later chapters delve into complex scientific arguments the author presented in court, which may overwhelm readers unfamiliar with the complexities of radiation biology. Nevertheless, as a 93-year-old woman, Hill is to be admired for her continued commitment to “set the record straight.” A brutally honest memoir of the successes and defeats of a pioneering scientist.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Manuscript
Review Posted Online: March 14, 2024
Review Program: Kirkus Indie
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by Stephanie Johnson & Brandon Stanton ; illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Pamela Anderson ‧ RELEASE DATE: Jan. 31, 2023
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
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New York Times Bestseller
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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