A quietly acerbic overview of 20th-century Sweden from the perspective of someone nobody expected to live to see it.
This first novel from the creator of Kurt Wallender (An Event in Autumn, 2014, etc.), originally published in 1973, makes its English-language debut.
A 1911 explosion so nearly kills Oskar Johansson, the youngest member of a team placing and detonating dynamite for construction projects, that the local newspaper reports his death. Against all odds, however, he survives, minus one eye, one hand, several fingers, and half his penis. The frightful accident changes Oskar forever—or does it? Banished from his father’s house a year before the accident because of his interest in socialism, he moved in with like-minded colleague Magnus Nilsson and joined the Social Democratic Party. His visits in the hospital from Elly Lundgren, the young woman with whom he’s been keeping company, taper off and come to an end, and eventually he marries her sister, Elvira, with whom he maintains he’s found perfect harmony. The sexual urges he thought had finished return to him, and he fathers a son and two daughters. Years pass, marked by a highly characteristic parade of public events, private reflections, prose poetry, and prickly asides that will sound familiar to readers of Mankell’s memoir Quicksand (2017). Disenchanted by the failure of socialism to keep its promises to workers, a disillusionment that reflects the author’s own, Oskar leaves the SDP. His son expands his chain of laundries. His wife dies. He moves one last time, watches the summer come and go, shares some of his reminiscences with a faceless narrator but keeps others to himself, and suffers further reversals to his health before he finally dies in 1969, not long after turning 80. Although he’s known throughout his adult life as the man who survived a disfiguring accident, his own attitude is more stoic: “I don’t have much in the way of hands, but I can still pitch in.”
A quietly acerbic overview of 20th-century Sweden from the perspective of someone nobody expected to live to see it.Pub Date: Feb. 18, 2020
ISBN: 978-0-525-56616-8
Page Count: 192
Publisher: Vintage
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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