Hemming has uncovered a man determined not to be known and in so doing, has provided us with delightful reading.
by Henry Hemming ‧ RELEASE DATE: May 9, 2017
The dramatic story of the remarkable British spymaster who may have been the model for the James Bond character M.
Maxwell Knight (1900-1968) recruited men and women who were quiet but intense, naturalists like him—though he was unlikely to find anyone as devoted to a wide variety of exotic animals. He looked for those who could work unnoticed, efficiently listening, remembering, and reporting what went on in communist and fascist organizations. Searching for a livelihood after World War I, Knight joined Sir George Makgill’s private intelligence agency. Makgill worked for industrialists worried about labor unions and the rise of communism. Knight’s first assignment was to join the British Fascists—which, in the 1920s, was not yet politically abhorrent—and to find potential recruits, an easy task given his mystical magnetism. At this time, he was friends with William Joyce, who would become, during World War II, the treasonous Lord Haw-Haw. They joined the paramilitary wing of the BF, where Knight learned the spy trades of kidnapping and his specialty, breaking and entering. In 1929, Knight was recruited by MI5 to fight communism, eventually leading the M Section. His “grey people” learned to become small and insignificant, remembering everything and hoping no one remembered them. Knight directed his people like he once ran his jazz band: moderating tempo, watching overall direction, and improvising when necessary. Hiring Anna Wolkoff to work as a secretary for the Communist Party was a stroke of genius, helping to break up a spy ring. Knight’s M section was more right-wing, daring, more maverick than others. It was also the most independent, economical, and unconventional. Many spy stories are page-turners, but the author proves that the story of one man can be equally thrilling.
Hemming has uncovered a man determined not to be known and in so doing, has provided us with delightful reading.Pub Date: May 9, 2017
ISBN: 978-1-61039-684-4
Page Count: 384
Publisher: PublicAffairs
Review Posted Online: March 7, 2017
Kirkus Reviews Issue: March 15, 2017
Categories: GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY | BIOGRAPHY & MEMOIR | TRUE CRIME | HISTORICAL & MILITARY | WORLD | HISTORY
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by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1998
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY
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More About This Book
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Categories: BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY
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