An enjoyable, raunchy, and gory sci-fi caper replete with duplicitous characters.
A rogue crew of galactic outcasts, criminals, assassins, and informers tries to buy its way into a better existence by transporting a spaceship filled with deadly genetic contraband to shadowy clients.
In his sci-fi novel, Mosquera (Status Quo, 2014, etc.) creates a memorable and confusing—in equal measures—gallery of characters and alien races, though well-proportioned and libidinous humanoids predominate in lead roles. The setting is a far-future cosmos recovering from a traumatic interstellar war. A ship carrying deadly bioengineered life forms and GMO weapons crashes on a bleak mining-colony world. The planet’s tentacled boss, the Baron, secretly sells the top-secret cargo to mysterious, distant buyers. Tasked with delivering the goods is a collection of desperadoes and exiles eager to get off-world. There’s the putative captain, Damien Blackthorne, a tainted battleground hero with an artificial heart and “cybernetic left arm”; Frankie Nox, aka Scrap Doll, the treasure-hunting mind of a ruthless space pirate downloaded into the superbody of a sex robot; gourmet chef Braal Draedax, who schemes his way onboard with a hidden agenda; Silas Deacon, an ascetic Xartian with formidable tech skills as well as psi-based fight moves (imagine a lean, mean Spock, great in bed); and so on, nearly everyone coming accessorized with treacherously divided loyalties and secret identities. This raucous space romp is akin to The Hitchhiker’s Guide to the Galaxy in terms of adventure, romance (well, sex), and really wild things, but with a solid R rating for violence, profanity, and erotica. The formidable mission by two-faced players (when their species even have faces) evolves into an episodic set of encounters, with a deadly game show, a slimy stowaway, and an assignment to masquerade as a “brawl ball” sports team, among other perils. It’s an agreeable thrill ride for fans who wish to deep dive into fast-moving, outlandish sci-fi pulp that doesn’t take itself too seriously but doesn’t hold back on the bloodletting and hard stuff either.
An enjoyable, raunchy, and gory sci-fi caper replete with duplicitous characters.Pub Date: Feb. 13, 2017
ISBN: 978-0-9916601-3-1
Page Count: 378
Publisher: Oddity Media
Review Posted Online: June 21, 2018
Kirkus Reviews Issue: Aug. 15, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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